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NYC. Out of the Whitney Museum. Summer IV - Print
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NYC. Out of the Whitney Museum. Summer IV Print

Ursula Radel-Leszczynski

Austria

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About The Artwork

I took over the last years some photos out of a window of the Whitney Museum building in NYC capturing simple street scenes with people sitting outside in full spring or summer sunshine. Those photos inspired me to paint a series of pictures – for spring and for summer series. This is the fourth one of the Summer Series. I didn't paint the series in one go, but returned to those subjects time and again. High quality artistic canvas, stretched, ready to hang, framing recommended. First layer is painted in acrylic and a thin second layer in oil, with very little impasto. Signed, stretched, ready to hang.

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Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Frame:White

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"I’m primarily an abstract painter, although with visible connection especially to landscape painting. My pictures are painted dynamically, on a grand scale. They emanate a wealth of color and latent emotion. The richness of color does not come from a wide range of colors, but how they are put together. I try to achieve a carefully thought-out and precisely linked construction of planes. Recently I started a series of figurative paintings, which deal mostly with people and their perception of arts. I’m right now fascinated with the world outside of a museum or an art fair but seen from inside a museum – it is a look out on the street: visitors, who just left or casual bystanders. Four such paintings are here attached." Ursula studied History of Art at Jagiellonian University in Cracow (diploma in Modern and Contemporary Art), which was followed by different studies (a. o. in Harvard, USA). She has been living in Vienna since long time, travelling extensively - especially to the Far East and to North America. She is primarily an abstract painter, although with visible connection especially to landscape painting. Recently she started a series of figurative paintings, which deal mostly with people and their perception of arts. One of the art critics wrote about her painting: "The pictures (...) are painted dynamically, on a grand scale. They emanate a wealth of colour and latent emotion. We enter a world of coloured stains, which suggest that space has given birth to something new, something worth recording. The artist constructs a pictorial space based on colour. The richness of colour does not come from a wide range of colours, but from her knowing how to put them together. She achieves a carefully thought-out and precisely linked construction of planes. Each ‘stain’ has its own logic, emotional and constructional. The paintings do not have formal geometry, but they certainly don’t lack structure, which comes from the twists and turns of the brush strokes. Each touch of the brush, contriving both breadth and synthesis, brings to the whole a character of unusual weight. It has a life of its own, and giving off an individual radiance it goes towards bringing about that overall harmony which can be likened to that of a musical symphony. A diversity of images arises from a palette of warm and cold colours whose rhythm, discreetly but unwaveringly, leads to a play of values.

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