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“Night in death valley” Print

Teo Andreani

France

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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9 x 12 in (R 807)

9 x 12 in (R 807)

15 x 20 in (R 1 323)

24 x 32 in (R 2 258)

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No Frame

Black (R 1 290)

White (R 1 290)

Natural Wood (R 1 290)

Metal: Light Pewter (R 2 420)

Metal: Dark Pewter (R 2 420)

No Frame

R 807

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The mysterious polyphony of black and dark brown variations. Polyphony of nuances of dark browns, greys and blacks variations.Textures created by mixing acrylics and oil with materials as sand, marble gravel, basalt powder, graphite pigment. The composition evokes a music of bass instruments in d...

Year Created:

2015

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

9 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

TEO ANDREANI Profile 2018 In my two studios in Amsterdam and in Dordogne daily I paint large and small formats. My catalog lists more than 2500 abstract works. Each of my canvases has a compositional asymmetric structure, On linen canvases, often stretched by myself, I use brushes and knifes and invent often my own techniques. Through superimposed layers of acrylics and oils, incorporating sands and metal dusts my pictures show a perceivable depth. I put great care for the emotional potentials of colors, and for the physical properties of scrutinized pigments, when I make my own nuances. In my palette blacks, whites and skin colors are frequent as well as a panoply of yellows and reds. My favorite tints are Vandyke brown and Caput mortuum. When signing I add one or more vertical strokes as my id seal and I give a title not to explain the contents, but to associate a “poetic” tag. What I seek in all my works is true authenticity, the sense of being. I was born in Sofia, but grew up in Italy. I got a technical basis for arts in my family where artist professions are frequent since generations. As a teenager I became familiar with Italian Renaissance visiting Toscana and Umbria and hitchhiking in north Italy. I studied music, philosophy, pharmacology and worked in medical research. In visual arts, good literature and high quality music I see each artist’s struggle to reach a sense and overcome the masters. I admire Japanese culture and study innovative painters as Vermeer, Van Gogh, Mondrian, Rothko, Kiefer. After years of meditating about artists’ motivations and with the conviction that artworks are fruit of existential anguish, the triggering events for my first paintings were two exhibitions in Milan: a Mondrian show and a Japanese Zen calligraphy. Abstract painting is my only possible way of expression, as representing objects and telling stories never attracted me. From music practice I derived the sensuality of colors and rhythms and the bias toward a compositional structure. I have always painted, despite traveling and my activity in scientific research. I have exhibited many times, solo or in salons, and have works in seven different countries.

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India Balyejusa, Senior Curator