VIEW IN MY ROOM
Nude Lady on Orange Striped Throw Print
United States
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Fine Art Paper
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8 x 10 in ($40)
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White ($80)
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About The Artwork
'Nude Lady' is a 33"x 40" oil painting on canvas. Muted shades of green, yellow, and orange dominate the composition. Limiting detail, broad swathes of color are used to define the figure and background in this abstract figurative painting. The background suggests an indoor setting through hints of vertical lines. Being non-representational, the focus is on form and color. The features of the figure are conveyed through planes of color, giving the work a dreamy, ethereal quality. The overall effect is one of contemplation, inviting the viewer to interpret the scene through the lens of their own imagination. Begun while I was visiting my parents at their Arizona home in 2010, it had remained in storage there until 2020 when I completed the work and finally mounted the canvas on a cradled beechwood panel. It will be shipped in a free gallery-style wood frame made for the painting's protection and my own display prepared for hanging along with its Certificate of Authenticity.
Original Created:2020
Subjects:Nude
Details & Dimensions
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
Loren Dunlap’s innovative two-dimensional design program at John Herron Art Institute in Indianapolis was an early influence that persists today in my approach to painting. It gave me a unique foundation – a specific point of view. After two years at Herron, I received a scholarship from Tulane University’s Sophie Newcomb in New Orleans. The Abstract Expressionists were all the rage in ‘the art world’ then; DeKooning and that crowd. (One of the most celebrated, Helen Frankenthaler, while only briefly my instructor at Newcomb, absolutely changed my way of thinking about the making of art.) From Tulane, I was selected to work on the Owenite restoration Project in New Harmony, Indiana and was an adviser and instructor for the Blaffer Foundation Art Project that followed. I came to Hawaii by chance in the summer of nineteen seventy-eight and began a long-lasting affiliation with Lynn Shue and her Village Gallery Contemporary in Lahaina. I have been a resident of Maui ever since. [Since the summer of 2014 I have also been spending part of each year in Arizona and working out of my studio there.]
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