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Pink Flamingos On A Beach Print

Genevieve Esson

United States

Open Edition Prints Available:
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8 x 10 in ($40)

8 x 10 in ($40)

12 x 15 in ($70)

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$120

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ABOUT THE ARTWORK

I have always been amazed at all the pink flamingos I have seen in people's yards. However, that formed a stereotype in my mind about them. They had become commercialized. After all this, I finally got a chance to ✔️ them out. They are truly magnificent?? They have a look in their golden eyes that are truly ancient and sentient. Majestic beings most likely related to the dinosaurs. They are a testament of God's creation and their own persistence and intelligence. Inspiration and hope for all of us to be more aware, be better stewards, and change our outlook to each other, animals and the planet ??. Our only home. We must stop the hate, the negativity and acknowledge we are in trouble if we do not change our ways. I have always known this, but looking in this beautiful birds eyes, clarifies it. It's there, if your heart is open, you will see it. Love, hope and blessings for a much better future. ???

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

8 W x 10 H x 0.1 D in

Size with Frame:

13.25 W x 15.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Genevieve Esson has a B.A. in Painting from Webster University, an award winning artist, her work is collected regionally and internationally. Esson is a painter and multi media artist and has completed 20 Public Art Projects. Her main medium is painting in acrylics. Born and raised in St. Louis, Missouri, she participates and exhibits her artwork at fairs, festivals, gallery shows, coffee houses, hospitals, restaurants and LIVE art events. Esson makes paintings and mixed media artworks. By merging several seemingly incompatible worlds into a new universe, Esson tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations. Her works isolate the movements of humans and/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound. By questioning the concept of movement, she uses a visual vocabulary that incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit. Her works are based on imaginary associations which open a unique poetic vein. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With a conceptual approach, luring the viewer round and round in circles, she finds that movement reveals an inherent awkwardness, a humour that echoes our own vulnerabilities.

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