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Quiet moment Nbr 5 Print

Christophe Mercier

Switzerland

Open Edition Prints Available:
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Canvas

Canvas

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12 x 16 in ($95)

12 x 16 in ($95)

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Black Canvas

White Canvas

Black Canvas

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White ($135)

Black ($135)

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$95USD

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Toile numéro 5 d'une série "Quiet Moments" de 9 en dominante orange, 2 digitales, 6 petites en acrylique et huile et 1 grande digitale, acrylique et huile. Simplicité, tranquillité et complexité de touche des monochromes sont ici recherchés. Huile sur fond acrylique.

Year Created:

2013

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

- Photo: Naples, Italy, March 2019 - Born April 1947, married, 2 children, 5 grand children. - Graduated in economics, then swiss banker in private banking from 1974 to 2007. - Started drawing in travel sketchbooks (self taught) at the age of 48 in 1995, and painting much later in 2007 at the age of 60. - Former "urban sketcher", from 2020, writer of historical novels. My desire to paint comes from the interest for expressing something aesthetic or gaudy, for finding an unstable equilibrium, for experimenting with different approaches, for renewal, testing, trying. Even though I’ve done mini-series, I don’t like to stick to one repetitive process. To me, painting is a dialogue between control and letting go and abstraction is of particular interest because it allows us to to express things that would otherwise escape our senses. It’s still a large field, even though everything is supposed to have already been made.

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