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Scorpion King Print

Velta Emilija Platupe

Latvia

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16 x 16 in ($125)

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About The Artwork

This is a painting from series "Homage to a Man Who Feared to Lose Paradise". His biggest fear was to become a father. The creation of those pieces served as a tool of meditation and exorcism for me. “Scorpion King” is a painting about erotic illusions, a necessary stage in every woman’s search for meaning. There are numerous symbolic and mystical creatures in this painting: blood red squids a snake whisperer, naked men wounded by scorpions, a bas relief lizard, a hungry child and a gargoyle, and chestnut flowers. All together they create an atmosphere which I don’t fully understand myself – as I don’t fully understand erotic illusions and fantasies.

Details & Dimensions

Print:Giclee on Canvas

Size:16 W x 16 H x 1.25 D in

Size with Frame:17.75 W x 17.75 H x 1.25 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My love for printed words is so strong that I make paintings and sculptures from orphaned books. I add different sorts of paper, textile fiber and found objects and treat this mixture as if it was a marble mine. I regard all human-made commodities as the raw material of the 21st century, they add opulence, playfulness and weirdness to my objects. My sculptures are hybrids - installations, huge marionettes and idol figures. I overcome gravity using a technique from marionette theater. Sculptures float in air and strings make them alive. I paint because I'm volatile. I catch all my demons and fears with a brush, so they are not threatening anymore. I'm hesitant, that's why I paint portraits in real time. Models don't have to speak. Sometimes I lay paintings in a horizontal plane, like huge rolls of parchment. The public can touch it, walk and crawl on it, contemplating the importance of daily grounding. I'm a mystic. I borrow deities and create semisacred, eerie spaces where sculptures, paintings, words and animation merge in a numinous, baroque amalgam. I love the tactile. My objects are sensuous to touch. I love word constellations, so there are collections of short stories to accompany the visual work. In a courageous mood, I transform stories into puppet performances and collaborate with theaters and musicians.

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