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Sea Mist, Mousehole Print

Jeremy Farmer

United Kingdom

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16 x 12 in ($109)

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ABOUT THE ARTWORK

This painting was a commission by a private collector. Mousehole, on the South West coast of Cornwall, is famous for its near perfect circular harbour and its tidal beaches where the moored fishing boats sit on the sand at low tide. Farmer wanted to avoid a picture post card image and instead convey the sense of centuries old harbour life in this historic setting. At certain times of the year, sea mists can roll in with blue skies still visible on the open sea. It is, in part, an imagined atmosphere by Farmer, although the rendering of the boats, harbour and townscape is largely accurate. The colour palette of misty greys, browns, ochres and blues enhances a sense of times long past.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

16 W x 12 H x 1.25 D in

Size with Frame:

17.75 W x 13.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Jeremy Farmer was born in England and lives in London. His tastes in art are eclectic and constantly evolving. In the early part of his painting career, he was influenced by artists such as Hockney, Matisse, Picasso and Rembrandt and more recently by Richter, Katz, Mondrian and Friedrich. He is largely self-taught but has received invaluable instruction and encouragement from his fellow artists: Aris Raissis, Emma Thistleton, Andrew Macintosh, Will Ayres and Jeremy Dickinson at Delta Studios. The places of inspiration for Farmer’s work come from numerous family visits to Cornwall since early childhood. This provided him with an enduring love of the sea and the rugged coastline of North Cornwall. He has also drawn inspiration from a mountainous area in Lower Austria where his wife’s family come from and from extensive travel to more distant shores. Indeed, from these places, the sea, the land and the cityscape are recurring elements within his architectural compositions. Farmer says, “My work increasingly explores the concept of order versus disorder through the observation of structure, light and space and the organic, chaotic world of nature. I always look to experiment and am developing this current line of work towards the semi-abstraction.” In Farmer’s earlier works, he painted almost exclusively in acrylic on canvas, but over the last few years has moved back into oils. The layering of paint is key to the build up of the architectural compositions and the oil medium allows him to achieve a much greater depth and range in colour and texture, and in light and shade. His work is held in private collections in the UK, Austria and the USA.

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