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VIEW IN MY ROOM

Splash Print

SERGE ZALIVATSKI

Austria

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Fine Art Paper

Fine Art Paper

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8 x 12 in ($40)

8 x 12 in ($40)

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White ($80)

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White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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$120USD
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About The Artwork

The picture has a long history. It began with the first sensations of touching the ancient technique of Nihonga - Japanese painting with natural and artificial pigments of different grain sizes of grinding on the traditional binder. I just received the first parcel from Tokyo. More than a one and half hundred bags of colorful powders of various shades had the expected effect on me - several canvases on the same day were poured, wiped, covered with pigments, turned into paint in strict accordance with the instructions of Japanese masters. More than a year has passed, but I still could not give the name of only one of the paintings that started on that significant day for me. Frankly, it did not upset me at all. Reading books about Nihong traditions, examining Japanese masters' engravings, patterns on samurai armor or katana blades, aerial play of batik on a geisha kimono, feeling on the fingers subtle differences in the grindings of pigments during paint preparation, I was gradually permeated by inexplicable calm, consonant, perhaps the peace of mind of a Buddhist monk meditator ... Layer upon layer, enhancing the depth of the shades, pigments from malachite green to azure blue lay on the picture. Over time, golden comets floated over blue and green, galaxies silvered and star nebulae gleamed. Once appeared, the copper dragon gradually began to fill in all the space. And suddenly it became quite clear: the picture just physically suffers from a lack of red spectrum! Hurriedly preparing the paint from the brightest red pigment, I threw it out of the cup on the canvas ...

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am born a long time ago in the east of Ukraine. Since then in my heart for life there will be an endless steppe with waves of feather grass to the horizon, the smell of thyme in the hot air, the song of the lark, unvsible in the endless blue of the bottomless sky, a faint taste of wormwood on the lips. Thanks to my Mom, who taught art at school, I have been fond of drawing since childhood. In my youth, I experimented a lot with different techniques and even made jewelry of silver and gold. After studying at the Moscow University of Arts, I worked as an industrial interior designer for several years. However, most of my later life was not related to art. Over the years, comes the realization that touching the world of color brings harmony and tranquility to life. The time comes, and I go to the my studio, turn on the music, peer into the pigments on the shelves, choose a canvas from several that are patiently waiting at the wall ... Paints flow, fly or paint carefully, one stroke after another... Paints, especially if these are Nihonga pigments, turn into a structure, the smooth surface of the canvas begins to live a volumetric life. Perhaps these are vineyards of Provence, perhaps the Austrian Alps, Lake Geneva or the hills of Tuscany. From the incredible turquoise of the Indian Ocean with all the variety of colors of the underwater world of the Maldives and the deepest ultramarine of the Bay of Angels in Nice - to the dignified and powerful malachite steel wave of the Baltic. All shades of greenery of the spring slopes of Switzerland and Tyrol, the harsh gray-haired power of winter Kamchatka and the mist over the ship Maid of the Mist, sailing at arm's length from the streams of the Niagara Falls. Not much can be compared to the Vermont autumn forests, shining cadmium orange, yellow and red, or the restrained shine of Baltic amber. The riot of ALL colors on one canvas is the echo of Hong Kong, Bangkok and Amsterdam, night Manhattan and New Year's Moscow. Often, especially at night, the paint turns into gold ... or platinum ... but more I like palladium. The thinnest sheets of metal, transmissive of light, forged by Viennese craftsmen, are laid on canvas on top or in anticipation of paint. And a completely new story begins ... about the parks and palaces of my beloved Vienna, the stairs of Montmartre, the fountains of Rome, the bridges of Florence or the karesansui gardens in Kyoto...

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