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Ten Commandments 1: Unity Print

Zheni Warner

United Kingdom

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10 x 10 in ($100)

10 x 10 in ($100)

16 x 16 in ($140)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The Biblical Ten Commandments lay out orders for living without sin. My ten are suggestions for living a life which does good for oneself and for others. They are means of contemplation, not descriptions of any particular action. 'Unity' uses knitting as a symbol of togetherness, particularly in a f...

Year Created:

2021

Subject:
Styles:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

Zheni is the daughter of the noted Bulgarian artist Violeta Maslarova. Migrated to the UK, where she attended Norwich School of art under Ed Middleditch and John Wonnacott., and where she later taught life drawing. She insists her method of working is 'purely traditional' insisting on light form and tone, although she uses modern materials such as light boxes, neon and illuminated wire. Her paintings are extensions of her exuberant personality. Over the years she has exhibited extensively in the UK as well as most of Europe. Her paintings are to be found in many private and public collections in the UK, Holland, Belgium, Germany, Bulgaria, South Africa, Hong Kong and Australia. Her use of layers of colours builds up to a transparent surface, emphasised by the excitement and brilliant use of paint in their form. A French critic described her paintings as having "the colours of Rubens and the rhythms of Bartok". English critics have variously described them as “a concerto in colour”, “aqueous jewels” and “fluorescent, floating entablatures of scintillating colour”. The current works incorporate light boxes, neon and illuminated wire in a variety of combinations. All of them function happily as paintings in their own right, becoming a second painting once they are illuminated. The use of matte and reflective paint surfaces add yet another dimension to give an intriguing variety as changing light conditions and the position of the viewer interact.

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