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The Formation of Ur Print
Philip Leister
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20 x 16 in ($120)
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$280
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ABOUT THE ARTWORK
Ur is a proposed supercontinent that formed in the Archean 3,100 million years ago (3.1 billion). In Roger's reconstruction, Ur is half a billion years older than Arctica and, in the early period of its existence, it was probably the only continent on Earth, and as such can be considered a supercontinent, though it was probably smaller than present-day Australia. In more recent works geologists often refer to both Ur and other proposed Archaean continental assemblages as supercratons. Ur can, nevertheless, be half a billion years younger than Vaalbara, but the concepts of these two early cratonic assemblages are incompatible. In geology, a supercontinent is the assembly of most or all of Earth's continental blocks or cratons to form a single large landmass. However, some earth scientists use a different definition, "a grouping of formerly dispersed continents", which leaves room for interpretation and is easier to apply to Precambrian times although at least about 75% of the continental crust then in existence has been proposed as a limit to separate supercontinents from other groupings. Supercontinents have assembled and dispersed multiple times in the geologic past (see table). According to modern definitions, a supercontinent does not exist today; the closest thing we have to a supercontinent is the current Afro-Eurasian landmass, which covers approx. 57% of Earth's total land area. The supercontinent Pangaea is the collective name describing all of the continental landmasses when they were most recently near to one another. The positions of continents have been accurately determined back to the early Jurassic, shortly before the breakup of Pangaea (see animated image). The earlier continent Gondwana is not considered a supercontinent under the first definition since the landmasses of Baltica, Laurentia and Siberia were separate at the time. Source: Wikipedia
Original Created:
2020
Subjects:
Materials:
DETAILS AND DIMENSIONS
Print:
Giclee on Canvas
Size:
20 W x 16 H x 1.25 D in
Size with Frame:
21.75 W x 17.75 H x 1.25 D in
Frame:
White
Canvas Wrap:
Black Canvas
Ready to Hang:
Yes
Packaging:
Ships in a Box
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Ships From:
Printing facility in California.
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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