33 Views
4
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Canvas
12 x 16 in ($95)
White Canvas
White ($135)
33 Views
4
Featured in the Catalog
Artist featured in a collection
The Implicite Order - 05-02-20 (sold) This one is the oil version of a previous drawing ‘Roundism – 11-01-20’. The tonal gradients in that drawing subtely shifting, some abrupt some gradient, represent life itself in all its expressions. Now I could experiment with the use of colour underligning my intentions as to the embedded symbolism. Basically all colours repeat themselves in one another and although colour contrast make up for the painting (cool / warm and complementary), in a plane of a certain colour many other colours are represented, just like a quantum physical hologram. I short I tried to portray the inner world of quantum physics, golden ratio, even metaphysical principles, extrapolating them to the explicite order or so-called reality as we seem to know it. Perhaps reality is not quite what it seems and the implicite order is solid as a rock. Oil on linen (60 x 80 cm) Artist: Corné Akkers
2020
Giclee on Canvas
12 W x 16 H x 1.25 D in
13.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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