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The Shopkeeper of Kabul Print

Gordon Bell

United States

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14 x 21 in ($129)

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16 x 24 in ($139)

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ABOUT THE ARTWORK

The People There were no known native Christians in Afghanistan in 1952, when God called Dr. J. Christy Wilson and his wife Betty to go to the country as “tentmakers,” or self-supporting missionaries. Through the intervention of President Eisenhower, King Zahir Shah granted permission to build a Protestant church in Kabul. The alabaster cornerstone read: “To the glory of God ‘who loves us and has freed us from our sins by His blood’ this building is dedicated as ‘a house of prayer for all nations’ in the reign of H.M. Zahir Shah, May 17, 1970 A.D., ‘Jesus Christ Himself being the Chief Cornerstone’.” In 1973 however, the government moved to demolish the building. An international Christian asked the mayor not to proceed with the demolition since the Bible says “If anyone destroys God’s temple, God will destroy him” (1 Corinthians 3:17). But the authorities proceeded to demolish the church. Hearing of the “underground church,” they bulldozed down six feet to be sure to destroy it as well! On the day of the demolition, July 17, 1973, the King’s cousin, Mohammed Daoud Khan overthrew Zahir Shah, and the 227 year old monarchy of Afghanistan forever came to an end. That date marked the beginning the modern troubles of Afghanistan, which had previously enjoyed a period of peace. In spite of great persecution, the number of Pashtun Christians is now in the thousands and the church is growing rapidly. The Painting The painting depicts a Pashtun shopkeeper with one of the famous “War Rugs.” This painting is part of a series of paintings of the peoples of the world called Every Nation Under Heaven.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

14 W x 21 H x 1.25 D in

Size with Frame:

15.75 W x 22.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Gordon works primarily in the medium of oil painting. He learned his craft as copyist at the National Gallery of Art in Washington, DC and at the Art League in Alexandria, Virginia. He has won a number of awards and has exhibited his work at the Art League Gallery, the Gallery Without Walls and the Del Ray Artisans Gallery. His work is represented in various private collections in the US and internationally. In 2014, he painted Fidelis ad Mortem, a posthumous portrait of Esther John, one of the Ten Martyrs of the Modern Era. The original portrait hangs in the Lahore College of Theology and a digital version is featured on the Westminster Abbey website. He lives in the Town of Chevy Chase, where he has a studio.

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