106 Views
5
View In My Room
Fine Art Paper
10 x 8 in ($70)
White ($80)
106 Views
5
Artist featured in a collection
From my last exhibition My Millefleur. In the summer 2017, I saw the tapestry Shepherd and Shepherdesses in the New York Met. It is not an outstanding work of art. Skimming through The Metropolitan Museum of Art Guide I found out that the Unicorn Tapestries are at The Met Cloisters, in the Bronx. On my visit in 2018, I’ve finally met the legend: The Unicorn in Captivity. The white creature; a hybrid of pony, goat and male narwhal. Constrained by a low fence, he rests under the pomegranate tree. His decorated collar is chained to the tree trunk. There are bleeding wounds on his flank and back, same as those in the hunting series, but he doesn’t seem to be suffering. Lying gently, he seems weary.
2019
Giclee on Fine Art Paper
10 W x 8 H x 0.1 D in
15.25 W x 13.25 H x 1.2 D in
White
Yes
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In my paintings I try to combine the sphere of physis, sensual pleasure, biology, and colors with symbolic elements evoking ontological and metaphysical meanings. My canvas constitute a mixture of textural and flat painting; Working on paper, I apply various techniques; I also press some parts of my linocuts. I am fond of order, symmetry and classic skills. At the same time, in painting and drawing I use techniques that allow chance decalcomania, grattage, dropping. At the first stage of my creative work I am quick and spontaneous. Then, at the next stages, I tame chaos and introduce order. As a result, my paintings form multilayer phenomenon. The layer of colors, regions of colors interactions constitute the foundation of my paintings. The material layer consists of the specific techniques I applied, textures, and deposits of paints. The layer of represented objects includes figures like woman, boy, tree, rhino. The layer of meanings consists of a story that usually finds no final on the picture.
Artist featured by Saatchi Art in a collection
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