Untitled Print

Fernando Pasini's iniciation in the arts began at age sixteen, as an apprentice in a wood sculpture workshop. In this first contact with the artistic creation and execution was the discovering his vocation, he decided the course of architecture because of its broad comprehension of the creative processes and concepts of art history. In architecture he had a greater identification with the disciplines plastic arts and design of observation. Simultaneously, he became interested in artistic processes beginning to experience with airbrush, pen and ink, oil paint and other techniques that did not necessarily appear to the study of architecture. Working with architecture and design enabled him with various techniques, he began to have a more hybrid professional view. At this stage, he knew and identified itself with a book illustrator Roger Dean, who was the inspiration for his painting style. Created: Pasini's work, for his prominence and talent, was the object of study and analysis by professor of fine arts Thelma Fantini Luisa Nieto, who produced a magnificent dissertation for the degree of Master in Education, Art and Cultural History from Mackenzie University. Under the guidance of Professor. Dr. Norberto Stori, this thesis is at the University library and at the artist's studio. Thus, to better understand the work of Pasini, here are some highlights from this thesis: "In the case of a documentary essay about the painting of Fernando Pasini, this item deals with the concepts and some relevant experience of the artist on art. This is an item of great value to this study, since many of the examples and paths taken by him may serve as a reference for those wishing to enter the career of the arts. The creation process begins in graphite on paper. Studies of linear programming and color define the first steps of the design that will be applied on the screen. Because of his enormous experience, Pasini writes on paper the tones and hues that will be applied. The expansion is time consuming and rigorous. The artist tries not to lose the relationship between proportion and the design of the study extended. The preparation of inks is one of the most rational of Pasini's works. The times should be respected for the application of veiling. To produce an effect similar to airbrush using only brushes mixtures and chronometric procedures have priority during the working process of the paintings.