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1
View In My Room
Philip Leister
Canvas
20 x 16 in ($120)
Black Canvas
White ($160)
242 Views
1
Artist featured in a collection
Drink up, baby, stay up all night With the things you could do, you won't but you might The potential you'll be that you'll never see The promises you'll only make Drink up with me now and forget all about The pressure of days, do what I say And I'll make you okay and drive them away The images stuck in your head People you've been before that you Don't want around anymore That push and shove and won't bend to your will I'll keep them still Drink up, baby, look at the stars I'll kiss you again, between the bars Where I'm seeing you there, with your hands in the air Waiting to finally be caught Drink up one more time and I'll make you mine Keep you apart, deep in my heart Separate from the rest, where I like you the best And keep the things you forgot People you've been before that you Don't want around anymore That push and shove and won't bend to your will I'll keep them still ‘Between the Bars’ by Elliott Smith Songwriters: Steven Paul Smith "Between the Bars" is the fourth track of Elliott Smith's 1997 album Either/Or. It is written as a short ballad in the key of G Minor. Possibly Smith's most popular song, it is one of three tracks from Either/Or that was used in the soundtrack of Good Will Hunting (1997). It is also featured in the 2012 indie film, Stuck in Love, and in the seventh episode of season two of Rick and Morty. A cover version of the song performed by Chris Garneau was used in Pedro Almodovar's film La piel que habito (The skin I live in) in 2012. Steven Paul "Elliott" Smith (August 6, 1969 – October 21, 2003) was an American singer, songwriter, and multi-instrumentalist. Smith was born in Omaha, Nebraska, raised primarily in Texas, and lived much of his life in Portland, Oregon, where he first gained popularity. Smith's primary instrument was the guitar, though he also played piano, clarinet, bass guitar, drums, and harmonica. Smith had a distinctive vocal style, characterized by his "whispery, spiderweb-thin delivery", and often used multi-tracking to create vocal layers, textures, and harmonies. After playing in the rock band Heatmiser for several years, Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded two albums. Smith rose to mainstream prominence when his song "Miss Misery"—included in the soundtrack for the film Good Will Hunting (1997)—was nominated for an Oscar in the Best Original Song category in 1998. Smith was a heavy drinker and drug user, and was diagnosed with attention deficit hyperactivity disorder (ADHD) and depression. His struggles with drugs and mental illness affected his life and work, and often appeared in his lyrics. In 2003, aged 34, he died in Los Angeles, California, from two stab wounds to the chest. The autopsy evidence was inconclusive as to whether the wounds were self-inflicted or the result of homicide. At the time of his death, Smith was working on his sixth studio album, From a Basement on the Hill, which was posthumously completed and released in 2004. Source: Wikipedia
2021
Giclee on Canvas
20 W x 16 H x 1.25 D in
21.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
Ships in a Box
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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