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Green function Print

Regina Valluzzi

United States

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About The Artwork

The original is not for sale through Saatchi. Please find my artist website (or order a print here) instead A pun on a common path integral Oil on linen, 12" by 12" original Green functions are a special type of integral that are used in Physics disciplines like the Mathematical physics of Particles and Fields. In calculus, integrals provide methods for adding up functions and trends. Everyday single integrals work in 2 dimensions. A function creates a curve on the plane and solving its integral tells you how much total area the function covers. Green functions and path integrals can be very useful for examining functions that exist in fields – where instead of an empty paper or box, each piece of the space holding the function has values associated with it (electric field strength, color, temperature, etc). How much of the value does the path pass through as it moves through the field? The Green Function is related to a path integral but is more complex. When statistical possible particle paths are summed up to get an observation, it helps to translate them into topolgical Feynmann diagrams, work with the algebra of those diagrams and then translate the result back into calculus using the Green Function. They are generally pretty hard to solve, and as you can see in the painting, the grad students made several failed attempts at numerically cutting up and solving the Green function, and one or two bold souls may have tried to renormalize the surrounding field.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am offering a selection of Abstracts and abstracted Science theme work on Saatchi. Please search for me online for my Landscape and Tree of Life bodies of work. I often ask myself whether I'm a physical scientist who also paints, or a painter who has studied a bit too much physics and chemistry. Physics and Chemistry have become a big part of how I model and understand the world. I approach paint texture in terms of it's viscoelastic properties, and color in terms of pigments and their spectra. If you take a cadmium inorganic red and it's organic substitute, gently tweak them so they look almost identical in indirect daylight, will they behave differently in incandescent light? Sunlight? Late afternoon light? (controlled lab light?) Unlike people, fruit, landscapes and other traditional painting subjects, technical ideas and objects don't have an "appearance" in any normal sense of imagery. They're imagined and depicted as visual ideas that guide us through complex phenomena. For example what do like bonds in molecules really look like? Or the quantum not-quite-existence of high vacuum-spawned subatomic particles? The softly dancing dynamic structures in complex fluids? What about "things" that are too small and too delicate for even the best electron microscopes (TEM - SEMs are toys)? I've found that many images scientists create serve as visual similes to data and hypotheses, and as visual metaphors for complex and often highly abstract concepts. These metaphors and their stylized interpretation inspire and guide my "abstract" work.

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