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Masterly String Player Tom Kibble Print

Yurii Yermolenko

Ukraine

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About The Artwork

Sir Thomas Walter Bannerman Kibble, (23 December 1932 – 2 June 2016), was a British theoretical physicist, senior research investigator at the Blackett Laboratory and Emeritus Professor of Theoretical Physics at Imperial College London. His research interests were in quantum field theory, especially the interface between high-energy particle physics and cosmology. He is best known as one of the first to describe the Higgs mechanism, and for his research on topological defects. From the 1950s he was concerned about the nuclear arms race and from 1970 took leading roles in promoting the social responsibility of the scientist. Kibble worked on mechanisms of symmetry breaking, phase transitions and the topological defects (monopoles, cosmic strings or domain walls) that can be formed. He is most noted for his co-discovery of the Higgs mechanism and Higgs boson with Gerald Guralnik and C. R. Hagen. As part of Physical Review Letters 50th anniversary celebration, the journal recognized this discovery as one of the milestone papers in PRL history. For this discovery Kibble was awarded the American Physical Society's 2010 J. J. Sakurai Prize for Theoretical Particle Physics. While Guralnik, Hagen, and Kibble are widely considered to have authored the most complete of the early papers on the Higgs theory, they were controversially not included in the 2013 Nobel Prize in Physics. In 2014, Nobel Laureate Peter Higgs expressed disappointment that Kibble had not been chosen to share the Nobel Prize with François Englert and himself. Kibble pioneered the study of topological defect generation in the early universe. The paradigmatic mechanism of defect formation across a second-order phase transition is known as the Kibble-Zurek mechanism. His paper on cosmic strings introduced the phenomenon into modern cosmology. He was one of the two co-chairs of an interdisciplinary research programme funded by the European Science Foundation (ESF) on Cosmology in the Laboratory (COSLAB) which ran from 2001 to 2005. He was previously the coordinator of an ESF Network on Topological Defects in Particle Physics, Condensed Matter & Cosmology (TOPDEF).

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Yurii Yermolenko – A Master of Fine Arts (MFA), author of special, large-scale, monumental picturesque projects, set designer, art director (musical video), music video director, photographer, Facevinyl & RapanStudio Founder and CEO. Born in 1973 Kiev (Ukraine) Lives and works in Kiev. "LIVE PAINTING" One will never forget works painted by artist Yurii Yermolenko. They carry a rave of color, flexibility of motifs, and a very special reality. - Yurii, how long have you been living for painting? Creation of a painting, the plot, the canvas – is this an outburst of emotions, or reflection of your world outlook? - I believe that I began to live for painting even before I was born. The birth of a painting on canvass most of all resembles a rite, when you are led by some creative ecstasy, intuition. It should be noted however that the period preceding the creation of a painting is very interesting. Here, an entirely different scheme works, involving a great deal of analysis, collection of information, anthropological studies, maybe, travelling. - Your paintings are distinguished for intense colors. Does this reflect your temper, or the desire to add colors to everyday routine? - In the first place, it reflects my temper of an artist and a painter. When you paint a picture, it should sound in colors, as a good musical composition, this is the main thing. - You have a unique technique of execution – the images are smudgy and distinct at a time. What stands behind it? - I like it when a painting represents a deep picturesque space, full of special light, as if in a dream, in which, images can breathe and vibrate. - Who, or what, inspires you? - My dear muse, my angel of inspiration protects and helps me. And as far as the projects are concerned, they may be triggered by a beautiful dream or a journey. - What really encourages you – criticism, or commendation? - I am encouraged not by criticism or commendation, but by angels of inspiration. Criticism or commendation take place post factum, as a response to a work of art; both are helpful; the worst thing is when there is no response at all. - Please, tell us about your creative plans. - I will continue experimenting with techniques. By the way, my another project was a pure experiment with "flower-dotted" fabric – this decorative pattern dictates the figurative space. MAGIC WOMAN magazine, Culture (section)

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