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new geometric pop Comunidad Cromatica red and green Print

Adriana Ablin Abstract Painter

Argentina

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About The Artwork

The series "Chromatic Communities" is characterized as a paint-type "all over", a term that refers to the school of New York, between 40 and 60 of the twentieth century, to define a type of paint no horizon line, surface treating all alike box creating a sense of immersion in the pictorial space. My intention is to create a direct connection between space, painting and viewer through color. Go to meet a rhythm and intermittent vibration, that sound almost hypnotic to the observer's eye. Accompany each painting with another, as part of a larger sequence, for generating sensations, climates, or an atmosphere of possible connections. My work is developed between painting and design. It could be defined as a digital image painted or painting that looks like a digital image. It is an image in the gap two languages. The digital image is crystallized in the paint retaining its cogency and simplicity. A structural scheme is maintained, plus a variable color = multiple readings. In this sense "Chromatic Communities" is a metaphor for the crowd, it is the abundance of people or things that make a society with their differences and similarities. A social community which, like color, is manifested as a reciprocal relationship, not necessarily equal, where the intersections are the swap space (transparencies, gradients). A color that, like people, is related to another and mixed, is full of influences and senses.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 8 H x 0.1 D in

Size with Frame:15.25 W x 13.25 H x 1.2 D in

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Visual Artist, Graphic Designer. Color is the narrative backbone of my work. I understand color as the expression of a bond, a relationship of concomitance. Remove the manual gesture to emphasize a perceptual quality optics. I use as constants, repeat operations, rotation and distortion. Interested rescue what Gestalt defined as pregnancia, sharp image as it exposes faults of perception. For example optical illusions, creating shapes and colors of unstable appearance, which become background and vice versa or that seem to compose new figures, or appear to move. I think each painting accompanied by another, as part of or within a larger sequence, to generate feelings, climate, or an atmosphere of connections open to interpretation. Adriana Ablin was born in 1977 in Buenos Aires, Argentina, where she lives and work. In 2001 she Graduated from Escuela Nacional de Bellas Artes Prilidiano Pueyrredón IUNA and in 2006 graduated as a Graphics Designer. Attended workshops of painters Miguel Dávila and Jorge Demirjián. Between 2009 and 2010 she went to Tulio Sagastizábal´s critique group. In year 2000 she began teaching in her private studio in Montserrat and since 2009 she moved to Retiro to continue teaching. Since 2001 she teaches Morphology at the Graphics Design Carrer in Buenos Aires University, UBA. In 2006 coordinated Apice Art, a project involving various emerging artists, whose goal was to create a space that allowed them to display, disseminate their work and liaise with other viewers and artists. She continues the development of her painting and participates in Group and Solo exhibitions. www.adrianaablin.com.ar www.adrianaablin.blogspot.com.ar www.boladenieve.org.ar/artista/7339/ablin-adriana

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