Apollo 11 Moon Orbit AS11-36-5431 Restored Print

I'm Samuel G. Solar. Apollo Recovered. For many years, I’ve been deeply immersed in the photographic and visual record of the Apollo missions, studying, reviewing, and restoring hundreds, if not thousands, of images from the nearly 15,000 photographs captured during the missions. My work focuses on carefully restoring the clarity and vibrancy often lost in the digitisation of these historic photographs. I also create seamless panoramas from full-frame sequences, many of which aren’t available in any official archive. This work aims to preserve the legacy of the Apollo program and the people who participated in it, recovering the missions' visual record as it deserves to be seen: an unprecedented visual history. These images are based on the Apollo missions' photographic records', unprocessed scans, and are not official NASA products. The restoration or adjustment work made to these photographs does not in any way or means imply affiliation or endorsement by NASA, National Aeronautics and Space Administration of the United States of America. Photographs These Apollo mission photographs are carefully restored digital prints. While the content remains intact, the subjective judgment of the restorer plays a crucial role in determining the outcome. The decision of how much to adjust and where to stop defines this work as a form of curated visual restoration aiming to honour the atmosphere, fidelity, and intent of the original film photography as captured by the astronauts using state-of-the-art equipment. In this sense, each restored image is not a reinterpretation but a tribute to the original scene presented in its intended clarity and richness. Panoramas Several of the panoramas I’ve created are unique and not available from other sources. Existing versions often omit parts of the photographic sequence, whereas mine include all usable frames, resulting in more complete and engaging compositions. These panoramas are created using automated stitching processes (this is important because only photographs that truly align and belong to the sequence are accepted — avoiding any mechanical work or forced results). Some distortion is inevitable, and as a result, the crosshairs (black "+" markers visible in the images, originally used for calibration and reference) may appear irregular or misaligned. These details are intentionally preserved to maintain the fidelity of the original photographs.