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View In My Room
Photo Paper
6 x 12 in ($55)
White ($80)
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Playing with minimal elements in my photographs is something which I very much enjoy – the challenge of successfully achieving the right mix of proportion and placement can be tricky but a ‘less is more’ approach is usually how I like to work. ‘Cross Purposes’ is a good example. The stark and simple intersecting lines in each panel seem to dance with each other, the middle panel’s more rakish angle adding a touch more attitude to the choreography. A burnished, coppery colour palette surrounding my linear dances in a warm rich glow adds the final, subtle touch to this minimalist triptych. If none of the sizes available on Saatchi Art meet your requirements, please let me know and we can discuss options for you.
2020
Giclee on Photo Paper
6 W x 12 H x 0.1 D in
11.25 W x 17.25 H x 1.2 D in
White
Yes
Ships in a Box
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Printing facility in California.
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New Zealand
Imagery which challenges creative boundaries and stimulates the imagination has always been at the forefront of my abstract photography. Exploring more unconventional methods of interpretation and presentation, I take familiar, everyday items found around my home and transform them from the ordinary into the extraordinary; this is my ‘Abstracted Reality’. Right from the outset, my photographic vision has been to look at objects with fresh eyes and a new perspective. For me, photography is not so much about artistically recording what is there, but creating something new and different out of what exists already. I want to give new life to a subject, to alter and challenge the viewer’s perspective and to invite a sense of mystery, wonder and intrigue. To achieve this, I made the conscious decision not to heavily manipulate or artificially create my photographs. Having to rely on my own imagination and creativity was invigorating, and through this process, I came to realise how highly I value the truthfulness and authenticity of a photographic image. I don’t want to manufacture my pictures in the computer. Paradoxically, I want my ‘unreal’ abstracts to be as ‘real’ and authentic as possible. The use of colour, bold shapes and patterns, and strong, simple graphic design elements feature strongly in my work. I tend to use colour as a means of highlighting and dramatising shape and form so that each image has a unique signature and presence, managing to blend the mysterious with a hint of the familiar which can’t quite be grasped.
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