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Original Documentary Architecture Photography by Catherine Scott
Original Documentary Architecture Photography by Catherine Scott
small-01
Original Documentary Architecture Photography by Catherine Scott
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Original Documentary Architecture Photography by Catherine Scott
Original Documentary Architecture Photography by Catherine Scott
Original Documentary Architecture Photography by Catherine Scott
Original Documentary Architecture Photography by Catherine Scott
Original Documentary Architecture Photography by Catherine Scott

1

"Gooch's Best" Fine Art Print

Catherine Scott, United States

€87

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 12 in (€87)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I spend a lot of time roaming the rural landscape of the high plains of the American West. This image was taken in Scottsbluff, Nebraska. It is part of the old Gooch's Best feed milling operation. I believe it is important to document buildings like this for future generations.

Year Created:

2025

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 12 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Following a long, rewarding career as an architect, and later 8 exciting years as a museum exhibit designer and builder, I now spend my time painting full time in my studio. I have always believed that the secret to keeping one's work fresh lies in experimentation and trying new things. Long an admirer of loose watercolor work I took a workshop with well known watercolor artist Andy Evansen. In watercolor I start and finish a painting in one sitting. Watercolor is fluid and transparent, and rather unforgiving. For me spontaneity and looseness is key. The whole trick is to work wet and allow the fluid paint colors to mix and merge, allow for soft edges, and maintain enough control to successfully complete a painting. I also roam the high plains of the western United States with my camera and photograph the old, weather beaten surfaces and patinas of buildings and vehicles. These rich surfaces and compositions provide inspirations for my layered oil and acrylic paintings. “Pentimento” is a term often used to define the revealing of painting or part of a painting that has been covered over by later painting. I have always been attracted to the history implied by this term. My painting method echoes this concept, involving constant experimentation as I make marks and cover them, leaving earlier marks revealed below later layers. As I add layers and work towards completion, the paintings eventually develop their own history.

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