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ABOUT THE ARTWORK
This piece evokes Anslem Kiefer's early works, thought it is another piece in Lee's series of "rogue pano" lanscapes and cityscapes. Like Van Gogh trudging his paints up to a wheatfield, or Monet painting the Rouen Cathedral with multiple canvases to capture the light, Lee goes out every morning at dawn to capture the light on his mountain. The photographic style is called "rogue pano" as he takes panoramic photos on his cellphone and battling with the pano algorithm to get the desired effects. These unique images are 100% in camera. No filters, no aftereffects, illustrator and no photoshop. "I Can See Clearly Now" shows the cityscape at dawn, but obscured by thick impasto gashes and expressionistic slashes from the panorama's algorithm trying to piece together the forest in the foreground.
Original Created:
2020
Subjects:
Materials:
DETAILS AND DIMENSIONS
Print:
Giclee on Photo Paper
Size:
12 W x 6 H x 0.1 D in
Size with Frame:
17.25 W x 11.25 H x 1.2 D in
Frame:
White
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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An outsider's outsider, Schnaiberg's first art teacher was his grandfather, who studied with Arthur Lismer then built an Art Brut collage 'salon' for over 20 years... After seventeen semesters in art-school [kicked out of some, quit some] Lee finally received a BFA. Spent a decade VJing (Orbital, Aphex Twin, Tsuyoshi Suzuki, the live AV band Technopest and GodSpeed You! Black Emperor) and making experimental documentaries about climate-change solutions, which led into a decade and a half making eco-capital sculptures using capital as the primary medium. Since 2012 Lee has returned to the picture-plane both with his TSIB The Space In Between multimedia series, and his new abstract-expressionist and post-impressionist cellphone paintings. Lee has won awards for his paintings (Laureat du Quebec; CollegeArt '86), videos (Canadian Student Film Festival), and climate movies (EarthVision'98 in Santa Cruz). The Space In Between has recently been written about (published in Springer Nature 2020) in "Tripping on nothing: placebo psychedelics and contextual factors" where they imply his paintings make people as high as if they ate mushrooms.
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