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COLORNOTES A - Limited Edition of 40 Print

HERMANN LEDERLE

United States

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About The Artwork

COLORNOTES A Serigraph on handmade Somerset paper, 24 by 24 inches, 2019 Edition of 40 hand signed and numbered Printed at HPH Serigraphy in Stuttgart Germany by Hans-Peter Haas Beginning in 2016, this Limited Edition Serigraph series by Artist Hermann Lederle was produced at Fine Art Printing House Hans-Peter Haas in Stuttgart Germany over a span of four years. Here at the atelier HPH Siebdruck, known for its outstanding quality silkscreen print editions of renowned artists worldwide, Hans-Peter Haas has forged the Serigraphs by Lederle titled COLORBLOTS, COLORWEAVES, COLORSWEEPS, COLORNOTES and COLORFINITS.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Critically admired german artist Hermann Lederle is most prominent for his PIXEL and BLOTS painting and more recent ADAPTATION series. His works have shown in numerous exhibitions around the world, and his artistic production is particularly unique and recognizable. Although initially the impression is abstract, Lederle's works feature geometric elements that compose, as a whole, figurative elements, bringing to mind that of the abstract expressionists. Los Angeles artist Hermann Lederle is known for his innovative BEAUTIFUL CHAOS abstract canvas scapes and unique BREAKAWAY layered PIXEL painting. Blurring the boundaries between paint-scape and landscape reality, and between the paint and its intended object, the work combines geometric abstraction and pure color concept to explore a new ethereal thematic. Through a PILLING of dotted lines and multitude of hyper-glow colors - as if the artist intends to assault the surface with micro-nuclear forces, Lederle constructs a next generation art-scape. Upon graduating from Karl Friedrich School Mannheim for humanist and classic studies in Germany, Lederle re-directed his career path. His early apprenticeship training in photography inspired him to seek a formal continued education in the Fine Arts, namely filmmaking and painting at the San Francisco Art Institute. San Francisco became his new residency for the next years until graduating with a BFA, followed by five years establishing himself as a painter in the thriving arts district of Tribeca in downtown New York City. It was there, Lederle began to formulate his own visual language to express his concepts and ideas through the lens, on canvas and on the film screen. Exemplifying the artist’s interest in the interaction between art and film and creating an additional link to 21st century web based digital art, Lederle's painting strives to wipe clean the slate of conventional notions of image construction. Lederle's PIXEL series, first shown at Media Rare Gallery in Hollywood  suggests a kind of Cubism for the digital age. His work as a filmmaker cross-pollinates in subtle, oblique ways. The idea of pixel paintings originated when working with digital images. “It was a discovery. We may have been seeing this way unconsciously since human beings had eyes, but now that we know we can zoom in on something, and then zoom out and see the whole picture, it becomes an awareness we can use to appreciate the pixilated version.

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