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Is, Was, Will Be Print

Diane George

United Kingdom

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8 x 12 in ($40)

8 x 12 in ($40)

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About The Artwork

The original print series is hand cut stencil on Wenzhou paper. The size quoted includes the white space around the letters if in a standard size mount/matt. The letters grouping measure 39.5 x 20cm overall. The original prints use acrylic paint, which is built up in layers to produce the finished depth of colour. The style of the words "Is Was Will Be" is inspired by the Arabic calligraphy script of Kufic. The Arabic hand has such grace and serenity, and I have tried to capture some of that in the form of the letters and the words here. In our hectic, busy modern lives, we sometimes need space to simply be still, even if for just a few moments. I hope that the simplicity of the words aids the viewer in creating a moment of stillness, peace and space to breathe. I have used acrylic paint on the original prints because it dries quickly and, having experimented with different media, didn't spread and bleed too much on the very thin, 30gsm paper. Even so, it was necessary to build up the layers of paint very gradually. Each print therefore consists of several or more layers of paint, carefully aligning the stencil with each new layer of paint. The minimalist simplicity of the final version belies how much work actually went in to the design stage and how many discarded earlier versions there are!

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Anerley, Penge, UK in the year of the Rooster. All the rest of my family are Snakes.... :-) I've loved art all my life - I'm a compulsive doodler. I hope that I have now, through my artworks, taken doodling to a whole new level ;-) The main inspiration for my work is early Celtic. One day, many moons ago (more than I care to admit to), I saw a reproduction of a page from the Lindisfarne Gospels. I thought: "Wow! How do you do that?". So I set about trying to find out. Doodling alone can only take you so far. There comes a time when you have to seek out those who know more than you, and this led me to The Prince's School of Traditional Arts in London. I did look at all the usual art colleges, but we weren't really singing from the same hymn sheet, shall we say. At the PSTA I met many wonderful, unique, learned and inspiring people - such as Prof Emeritus Keith Critchlow, Dr Martin Lings, Dr Nassar Mansour, Aidan Hart and many others. Through their teachings and example, I gained new understanding of art, life, the universe and everything ;-) So I now probably fit in with standard art colleges even less than before. Is that good or bad? My paintings are entirely hand made and are executed mostly in egg tempera, acrylic and gold leaf on paper, calfskin vellum, glass or gesso panel. I make my own quills and egg tempera paint, regularly raiding local Welsh beaches for shells to use as paint palettes (they work well and they're free - what more can I say?). I do not, however, grow my own cows or make my own vellum (very yukky process). I am very happy to let someone else do that bit. Each painting can take up to four weeks to complete. Most of that time is spent on drawing out the design, using a set of Victorian compasses, a sharp pencil, a ruler and lots of tracing paper. I live in Burry Port, South West Wales with Himself and our large, dribbly dog.

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