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Original Pop Art Car Printmaking by Dee Brown
Original Pop Art Car Printmaking by Dee Brown
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Original Pop Art Car Printmaking by Dee Brown
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Original Pop Art Car Printmaking by Dee Brown
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Original Pop Art Car Printmaking by Dee Brown
Original Pop Art Car Printmaking by Dee Brown
Original Pop Art Car Printmaking by Dee Brown
Original Pop Art Car Printmaking by Dee Brown
Original Pop Art Car Printmaking by Dee Brown

1

"Vandel Chevy" Fine Art Print

Dee Brown

SAR 484

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
21 x 14 in (SAR 484)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Two color screen print in an edition of 6. Signed and numbered. Printed on Steinbach ATS GO 300 grs.

Year Created:

2009

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

21 W x 14 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Behind him a life filled with important experiences, Dee Brown now has reinvented himself and emerges as graphic artist. Operating from the Netherlands, Dee Brown sees himself as an European artist with strong American bonding. His love for the American highway, guns and vintage American cars pay tribute to this. But there is also a specific European influence in his use of typography which reveals some of his earlier training. Most of all his trained 'photographic eye' is the start for his work, as can be witnessed in his 'Roadkill' series. But a clean picture is never the outcome, as there always is the desire to add some layers of 'static on the line'.

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Curator - Erin Remington

Erin Remington, Curatorial Director