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BETTER LIVING THRU CHEMISTRY is a limited edition sculpture series consisting of brightly colored glass and mixed media capsule-shaped objects tagged with text messages, social media iconography, and the language of pop psychology. Inspired in equal parts by the ubiquitous presence of social media in contemporary culture and the simultaneous rise of direct - to - consumer pharmaceutical marketing, the work pokes fun at the alternately amusing and depressing correlations between the two phenomena as both are enlisted to over - simplify the human condition and expedite contentment with a familiar recipe of instant gratification and seductive packaging. Hand made and numbered. Certificate of Authenticity included. Each piece is hand constructed and outfitted with d-ring for wall hanging, or lucite cube "anchor" for shelf display.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Edie Nadelhaft is a New York City-based artist and avid motorcyclist whose lush, visceral oil paintings and slick, technology-inspired sculpture have been exhibited at museums, art fairs and galleries throughout North America, and internationally in Taiwan, Shanghai and Basel, Switzerland. Recent exhibitions include Love Junk at SPRING/BREAK (NYC, 2022), We Ain't Goin' Nowhere (solo, Kasper Contemporary, NY, 2022),Give Me Some Skin (group, Sugarlift Gallery, NYC, 2021), Evening in America (solo, Lyons Wier Gallery, NYC, 2020), One For The Road (2 person, Frosch & Portmann, NYC, 2018), and Surface Tension (solo, William Scott Gallery, Provincetown, MA, 2016), The Contemporary Realism Biennial (Fort Wayne Museum of Art, Fort Wayne, IN, 2014), and Face to Face, Wall to Wall, a survey of trends in contemporary portraiture (Yellowstone Art Museum, Billings, MT, 2014). Ms. Nadelhaft’s work is in the permanent collection of The Ford Foundation (New York, NY), The University of New Mexico Health Sciences Center, (Albuquerque, NM) and Falconworks Theatre for Social Change, (Red Hook, NY). Her work has been published in The American Scholar (June 2017), Domino Magazine (Fall 2015), Juxtapoz (June 2014), Hi-Fructose (May 2014), The New York Times (July 2009), The Washington Post (October 2012) and Wall Street International (August 2014) among others. Awards & residencies include The Edward F. Albee Foundation Fellowship (summer 2024), The Artist in Residence at The Visible Vault, Yellowstone Art Museum, (Billings, MT, 2015), Platte Clove Artist-In-Residency, Catskill Center for Conservation and Development, (Platte Clove, NY, 2008), Fine Arts Painting Department Merit Award, Massachusetts College of Art, (Boston, MA, 1995) and the Combined Jewish Philanthropies Academic Scholarship, (Boston, MA, 1994). Born and raised in Pittsburgh, PA, Ms Nadelhaft studied painting and art history at SUNY Purchase and The School of the Museum of Fine Arts in Boston, and received her BFA with honors (painting, 1995) from The Massachusetts College of Art & Design.
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Artist featured by Saatchi Art in a collection
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