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TRAVESIA (crossing) Print
Spain
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Fine Art Paper
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9 x 12 in ($40)
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White ($80)
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About The Artwork
TRAVESIA (crossing), is a sculptural work by Rebeca Mayo that belongs to the CORA MAGARA series. CORA MAGARA. Cora talks about territory, Cora is also an asteroid and a rocket from the 60s. Cora sounds like a sea, Cora is a woman's name. Magara is the inherent force in all things, it is the symbiotic relationship between the living and the dead. CORA MAGARA is a pretext to create objects from pieces of wood, cloth and clay. It is a paleolithic incantation, a cure, a necessity, a drive that has been generated from the metaphor of the lived and materialized in small and medium format sculptures. It is a process of investigation of the plot, the texture and the colors, concluding in abstract worlds but also forming anthropomorphic beings impregnated with symbolism.
Details & Dimensions
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Spain
My name is Rebeca Mayo, I was born one day with rain in the inconceivable city of Mexico, I grew up in a small town full of markets and street vendors, I have always thought that the world is a great show. I enjoy watching, I am pleased to have my head full of impossible scenes. I studied Fine Arts at the UGR in Spain, at USP in Brazil and at UABJO in Mexico. At the age of 25 I opened a store in the center of Granada and set up my own brand ENTRÓPIQA, in it I materialized all my curiosity. I have been a teacher at the SCHOOL OF ART GRANADA in the subject of SKETCHING AND CREATIVE PROCESS, later I decided. A nice house in the Albaicín neighborhood (UNESCO) to turn it into a guest house, after 3 years and 2 children I closed it to open myself again to the harakiri of the arts.
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