view additional image 1
View in a Room ArtworkView in a Room Background
view additional image 3
view additional image 4
view additional image 5
347 Views
6

VIEW IN MY ROOM

Jumble Sale - Set for 'Heirlooms' Print

Hannah Taggart

United Kingdom

Open Edition Prints Available:
info-circle

Select a Material

info-circle

Fine Art Paper

Fine Art Paper

Canvas

Select a Size

12 x 9 in ($40)

12 x 9 in ($40)

20 x 15 in ($70)

Add a Frame

info-circle

White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$120USD
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
347 Views
6

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

I am currently working on stop motion animation 'Heirlooms'. 'Heirlooms' is about a group of children who are haunted by the ghost of Peg Prowler. This is a photograph of the exterior of the village hall, where a jumble sale is taking place. Twins Nixie and Faye are helping out at the Jumble sale. Nixie gives James a key for their shed, so that he can collect items for the jumble sale. When James opens the shed door he sees a bundle of old clothes. The clothes begin to writhe and a hand reaches out from them. James flees on terror. The hand belongs to Peg Prowler, the faceless ghost, with a bonnet for a head.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 9 H x 0.1 D in

Size with Frame:17.25 W x 14.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I create sculpture, animation, installations, drawings and sound pieces. For inspiration I look to: Susie Templeton, Kara Walker, Yuri Norstein, Hew Locke, Susan Hiller, Ruth Ringgold, Tove Jansson and Willard Wigan. I'm currently creating a stop motion animation 'Heirlooms', which is about a group of children who are haunted by the faceless ghost of Peg Prowler. The voyeuristic aspect of my work may stem from a childhood wish to gain access to restricted spaces (such as a hidden room in a dollhouse). My work involves the frustration of being prevented from fulfilling wishes, by only allowing glimpses of these inaccessible worlds. By creating intricate, small worlds I am suggesting the desire to retreat from something threatening like society. Yet I am also interested in the contradictions and conflict this inspires; it appears that by reducing the world to a small and repetitious environment you create a sense of safety, but perhaps all you are doing is internalising the initial threat. Images such as rats eating from dining room tables not only evoke feelings of disgust but of childish play. I am perhaps attempting to control fragile memories and perceptions of childhood built on cardboard foundations. The structures I create are deliberately unsecure, unsound, in order to summon up an atmosphere of unease, this is a fragile world that could topple down at any moment. Cardboard is also interesting to work with, as it is often viewed as a 'poor' material, only salvaged by the dispossessed.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support