Sylwia Suma-Bolofo

Of The Architecture of Beauty in Painting

Sylwia Suma's images take us into the world of classical painting, following on from the revolution of vision initiated by the impressionists view painters absorbed pure, bright colours of nature, mainly from landscapes, transforming them with the power of sensation into framed transient phenomena. Having provided for the visceral experience of colour and light to occur, there could be only a return to a stable, further specified in the form of not only saturated colour, light, but with the viscosity of paint matter itself. S. Suma arrived to this artistic consciousness through her own way of exploration. Her painting is derived from an observation of nature, with selection accorded importance in severity as objective validity and aesthetic qualification. At the root of this, particularly in the landscapes, appear sensual received themes, fascination with the framing selected, that only in the process of painting succumb to far-reaching transformation, validating the importance of selection in building new, unique colour and light moods, but also new forms of structure. While still her impressionistic landscapes are dominated by light and emotional, joyful, bright color, it is also ...