Zdravko Milinkovic

Zdravko Milinković, “The Records behind the Traces”
Understanding of symbolic potential of Zdravko’s work lays in a search for incontestable art truth, which he defines by a triangle. As a result of intellectual and spiritual order, the triangle is not accidentally the statement of Zdravko’s art. It exudes energy and impersonates creativity and harmony. A movement through this space, whose focal points are medium, contents and creativity, generates a form and a substance. This methodological procedure allowed Zdravko Milinković to come upon a meaningful form, since his sculptures are created so that the medium, by its current condition, necessitates the idea. He proceeds to the sculptural composition by his creative intuition, whereas the work gains its final form in our mind.
Besides the sculptures, the synthetic exhibition “The Records behind the Traces” includes the large-format paintings, which were created upon a number of sketches and drawings.
In this instance, it is possible to separate between the paintings and the sculptural forms, because the paintings represent an inquiry in the essence of art. As much as the sculptures spread into the space, the paintings also open, offering thus a physical – optical phenomenon. A ...

University of Fine Arts, Belgrade
PhD at the University of Fine Arts, Belgrade