SEPARATION 2 Collage

Ella Kolanowska is a Philadelphia-based Polish-born visual artist whose work unfolds at the intersection of abstraction, materiality, and the psychological realm. With an MFA from the University of Arts in Poznań and a lifelong dialogue between art and inner inquiry, she creates paintings that serve as quiet spaces for emotional resonance, spiritual reflection, and transformation. Drawing on both her formal training and intuitive practice, Kolanowska approaches painting as a living process — one that is less about construction than about revealing what already exists beneath the surface. Her works often emerge slowly, through a rhythm of small gestures: single dots of pigment, layered transparencies, hand-sewn threads, and the soft resistance of fabric. These micro-interventions accumulate into compositions that feel more listened to than planned. Many of her recent pieces feature semi-transparent grounds through which light filters like memory. Across these surfaces, she places crocheted shapes, fine stitches, and layers of pigment, often in tension — between precision and blur, softness and gravity, body and void. In some works, two opposing forms — curved, vessel-like, or hemispheric — face each other across a central line, separated and yet linked by a vertical axis of light. This dividing line is sometimes a scar, sometimes a path. Sometimes a blade, sometimes a breath. Kolanowska’s deep interest in psychology, spiritual continuity, and the layered nature of identity informs her practice. Her work often responds to themes such as distance, rupture, reconciliation, and the effort to remain transparent in a fragmented world. She sees painting as both personal and collective — a gesture toward healing what cannot be spoken. Her relationship with color is elemental. She does not select palettes from theory or trend, but rather from a kind of inner tuning — an attunement to her emotional weather, seasonal shifts, and the vibrational field of a work-in-progress. Color, in her hands, is not symbol or decoration, but a current: something alive, capable of carrying emotion through space. Beyond painting, Kolanowska integrates traditional craft elements — crochet, yarn, stitching — as both intimate labor and symbolic mending. Inspired in part by the Japanese philosophy of kintsugi and visible repair, she embraces the idea that fragility and damage can become part of a work’s dignity. Her canvases carry traces of care, wear, and time.