VIEW IN MY ROOM
United Kingdom
Drawing, Ink on Paper
Size: 15 W x 11.1 H x 0.8 D in
Ships in a Box
Artist Recognition
Artist featured in a collection
This is one of a series of works I have made about the spectacle of the circus, and how it acted (and to some degree still acts) as a focus for social catharsis. This common catharsis leads to a greater sense of social cohesion - a fact well understood by Roman emperors ("bread and circuses"). However, in this work I have included the concept of the outsider. Whilst the shared experience of the crowd tends towards greater togetherness (in Roman times this would have been used by the authorities to release both societal blood-lust and anger, and to create togetherness against a common enemy: the barbarians), there are those present who "stand apart" from the crowd. Firstly there is the shadow of the figure apparently lying on the canvas of the tent - literally outside of both the crowd and the entertainment. Secondly, within the crowd, there is an image of Adolf Hitler - perhaps the most dangerous and notorious of outsiders within the last century, and one who understood the full potential power of social catharsis, and who used it to catastrophic ends. My interest in this function and experience of the circus is just that - the enjoyment, the schadenfreude, and the shared experience have a dark underbelly - one which we must be careful to understand in its potential for devastating misuse.
Drawing:Ink on Paper
Original:One-of-a-kind Artwork
Size:15 W x 11.1 H x 0.8 D in
Frame:Brown
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
"Although I state that much of my work stems from the imagery thrown up by depression, I would say that it is also the imagery of unconscious connection.Indeed the two are irrevocably entwined. It is no accident that the appearance of animal symbols and the use of bodily products such as hair, urine and blood is also influenced by my former work as a veterinary surgeon. Some time spent in psychoanalysis has helped me to illuminate these connections to find a personal mythology, which I believe connects to a universal meaning of what it is to be human. The `otherness` of animals, their power, vulnerability, unselfconsciousness and instinctual drives, and their relationship with us, are potent symbols of qualities we also have - qualities which we struggle with in our attempts to remain in control of ourselves and our society. It is where these tensions meet that my work is situated." Studio: Sculpture Shed, Spike Island, 133, Cumberland Road, Bristol, BS1 6UX. Tel: (0117) 929 2266; Email: michael.hayter@blueyonder.co.uk
Artist featured by Saatchi Art in a collection
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