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Times fragments Drawing

Ian Robertson

United Kingdom

Drawing, Graphite on Paper

Size: 121.9 W x 152.4 H x 0.3 D cm

Ships in a Tube

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The work was inspired by the experience of place, light and the fleeting nature of perception. Expressing the passage of time, events and memory.

Year Created:

2020

Subject:
Mediums:

Drawing, Graphite on Paper

Rarity:

One-of-a-kind Artwork

Size:

121.9 W x 152.4 H x 0.3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Ian Robertson was trained at the Edinburgh College of Art and the Royal College of Art, London. He is the recipient of numerous awards including the Helen Rose Travelling Scholarship ECA, Sir Robin Darwin Scholarship RCA, John Minton Scholarship RCA and the Pernod Arts award. His work over the years has been concerned with the ways in which places, spaces, and events captivate, delight and disturb us. Robertson has worked in a wide range of media including painting, printmaking, sculpture and installation. The work is ambitious, moving freely between abstraction and figuration it captures the complexity of our response to place as it is lived and felt. Between our direct observations and our more subjective experience of landscape. Places are saturated with histories and competing narratives. They are also psychological spaces of the imagination where the border between the real and the virtual becomes thin and permeable. It is at this point on the cusp of the real and the virtual that painting generates its effects/affects.

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