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v12 Drawing

Iván Arós

Spain

Drawing, Digital on Paper

Size: 23.6 W x 12.6 H x 1 D in

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$1,200

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About The Artwork

The name of the work is given by the mechanics of the vehicle that appears in it. A mechanics that is currently experiencing its own decline. I like to bid farewell to the day, to the summer, to a mechanic, to an era, in my alternative world of retropresent, in a calm way. So calm that even some little birds peck without fear. There is no hurry to end the day. The car here is an early 1990s Jaguar XJS Series III with the v12 engine. This digital illustration has been made with custom brushes that allow me to soften the digital-analogue transition. The setup includes self-imposed limits, both in terms of resolution and number of layers; a series of strategies to preserve my analogue technique, without losing the openness of digital possibilities. This digital illustration was created as part of a limited series of five copies. The artwork is presented numbered and with a certificate of authenticity.

Details & Dimensions

Drawing:Digital on Paper

Original:One-of-a-kind Artwork

Size:23.6 W x 12.6 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Iván Arós, also known under the pseudonym Esfenodon, is an illustrator and digital artist. Passionate about nostalgia and the possibility of reproducing alternative realities through art, he creates his own visual language that invites the public to enter a world in which existence can be altered. Born in Pontevedra (Spain) in 1982, Iván Arós is a highly versatile artist who has experimented with different artistic disciplines from a very early age. After graduating in Fine Arts from the University of Vigo (Spain), he has created and participated in numerous artistic projects, including his intervention for the artist Juan Luis Moraza in the exhibition Incógnitas at the Guggenheim Museum in Bilbao and recently in the solo exhibition Recuerdos del presente (Memories of the present).

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