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I love using Italian marbled paper. It is so beautiful and infused with hints of gold which lifts and gives light to the artwork. Each circle is hand cut and each ring of circles increases in size and height, expanding outwards.  This creates a vortex feel and a hypnotic appeal.

The artwork is signed by the artist and is provided in a soft white wooden box frame, ready to hang.  The dimensions given are of the frame.
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I love using Italian marbled paper. It is so beautiful and infused with hints of gold which lifts and gives light to the artwork. Each circle is hand cut and each ring of circles increases in size and height, expanding outwards.  This creates a vortex feel and a hypnotic appeal.

The artwork is signed by the artist and is provided in a soft white wooden box frame, ready to hang.  The dimensions given are of the frame.
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A Circle of Circles Installation

Natasha Sorelli

United Kingdom

Installation, Paper on Paper

Size: 28.7 W x 28.7 H x 1.8 D in

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$2,120

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270 Views
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About The Artwork

I love using Italian marbled paper. It is so beautiful and infused with hints of gold which lifts and gives light to the artwork. Each circle is hand cut and each ring of circles increases in size and height, expanding outwards. This creates a vortex feel and a hypnotic appeal. The artwork is signed by the artist and is provided in a soft white wooden box frame, ready to hang. The dimensions given are of the frame.

Details & Dimensions

Installation:Paper on Paper

Original:One-of-a-kind Artwork

Size:28.7 W x 28.7 H x 1.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am an artist specialising in hand cut and painted paper artworks. Drawing inspiration from nature, colour and form, I cut and draw each component by hand, creating joyful artworks that are individual, imaginative and full of movement. My precision and attention to the detail of each component guarantees that every work is unique. I love working with paper as it allows me to be absolutely precise with my incisions, and as my intent is to create movement not only in the subject matter but also within the medium, paper lends itself wonderfully to manipulation so that the birds or the butterflies literally take flight. I use predominantly Japanese chiyogami papers for their vibrant colours and luminescence, as well as Italian fine papers to reflect my heritage.

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