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Contemplation #002
Contemplation #002
Contemplation #002
Contemplation #002
Contemplation #002

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Contemplation #002 Artwork

Jesús Adir Hernández Cruz

Mexico

Mixed Media, Fiber

Size: 30.5 W x 30.5 H x 2.5 D cm

Ships in a Crate

C$1,729

Shipping included

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16 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Nature sculpts in silence. Throughout my journey in architecture, building scale models has led me to discover the beauty of nature shaped by time. In dry branches, roots, and bark, I find forms that evoke the stillness and contemplation of a bonsai—yet without human intervention, only the result of...

Year Created:

2024

Subject:
Mediums:

Mixed Media, Fiber

Rarity:

One-of-a-kind Artwork

Size:

30.5 W x 30.5 H x 2.5 D cm

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Mexico.

Customs:

Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

My work seeks a balance between tradition, nature, and impermanence, resonating with the philosophies of wabi-sabi and the connection between the abstract, the contemplative, and the richness of Mexican folklore. Inspired by Zen art and ancestral techniques such as Japanese sumi-e and yakisugi, my practice explores the beauty of transformation and the imprint of time on matter. Artists like Bosco Sodi, Javier Marín, Kazuo Shiraga, and Brian Dickerson have influenced the materialization of my work, which aspires to be silent and contemplative. Through organic materials such as treated wood, acrylic and natural pigments, lime, cement, sand, plaster, and clay, I seek to capture the fleeting spontaneity of nature. The cracks, textures, and organic forms that emerge in each piece reflect the balance between the natural and the constructed, in a dialogue where imperfection and harmony coexist. Branches, roots, and splinters from a variety of trees and shrubs become symbols of natural beauty. Nature, as I perceive it—not as it is—expresses itself in the sinuous randomness of a dry branch, sculpted by the passage of time. Through fire applied to the bark, in an almost ritualistic gesture, I carbonize the wood to prolong its existence and reveal its essential form. The object becomes a sculpture on the canvas, with the deep, dark color of charcoal as a testament to its transformation.

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