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FIRE & ICE 07 - Limited Edition of 20 Artwork

Robert Bader

Australia

Mixed Media, Giclee on Paper

Size: 83.8 W x 61 H x 0.3 D cm

Ships in a Tube

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This piece has its essence firmly entrenched in the world of two vital elements of nature. the diametrically opposite of orange and blue clearly represent the hot fire and cold ice within our cosmos. The textually quality of each facet clearly derived from my organic landscape canvases and the clear...

Year Created:

2019

Subject:
Mediums:

Mixed Media, Giclee on Paper

Rarity:

Limited Edition of 20

Size:

83.8 W x 61 H x 0.3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Australia.

Need more information?

Need more information?

ARTIST BACKGROUND Robert Bader was born in Sydney, Australia in 1961. His father was a musician and his mother was a photographic artist. The family tradition of art extends to an uncle and cousin who worked as commercial artists while two relatives from the 18th century were ceramic artists working in Bavaria. His mother's uncle, Herbert Bayer worked at the German Bauhaus. Robert's work can be found in private collections in Germany, Scotland, USA, New Caladonia and throughout Australia. THE ARTIST Bader tends to work within the mediums of painting, screen printing and digital collage. His work has its basis in Minimalism, Constructivism and the theories of Bauhaus dogma. Works from the 1980's and 1990's revolve around the pure essence of colour and structure. Progressively, his works have begun to analyze issues of consumerism and barcodes which is reflected in the artists absolute hatred of credit cards. Since 2002 his canvases have become powerful and more painterly, reflecting issues of the environment and sacred mythology. This also reveals why the artist gave up a Sydney studio for a studio amongst vineyards and olive groves.

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