Boundless Oblivion Painting

Hello, my name is Indira! I am originally from Kazakhstan, but I live in Tel Aviv all the time, and I love abstract painting, so I paint in this style. I have no professional education, I am self-taught. I really like it when every person in my work sees his own associations and every time a new, unique, and inimitable plot or story is born. I want my work to bring joy and inspiration to people. All my work is done in acrylic on canvas. I also use the acrylic paste to create texture and volume. I really like the combination of acrylic and water, when there is a mixing and interaction of natural material, color combinations, and the birth of a new color scheme. The play of light and shadow, depth and brightness are mesmerizing. About my artwork: In my presence they said about someone: he is a famous artist! And what, there are no well-known artists? The 20th century and its impending last hour demanded continuation, but abrupt changes began. It seems to me very painful, but the artists survived it. These furious thoughts of two worlds are reflected in the paintings of Indira. She opposes her thoughts without any condescension, and this requires patience. Her paintings require attention to prove the unity of nature. Attention - the paintings themselves require attention - and yet these paintings are the property of society, although the artist speaks about his canvases with restraint, without enthusiasm. Indira probably wandered, I don’t know how long, wandered into herself in search of truth, and boldly found herself an artist! Without words, she translates her thoughts into pictures, and pictures insistently require language accompaniment. But how much work it costs, I already judge by myself. My thoughts suggest that Indira's writings make us understand the space between the past and the future. She wants to show something that seems invisible to many, and in general, it seems to me that her paintings unobtrusively offer to think often about what has been done ...