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Carnival on the right, made by Fatih Sungurtekin
Carnival on the left, made by Fatih Sungurtekin
Carnival detail, made by Fatih Sungurtekin
Carnival detail, made by Fatih Sungurtekin
Carnival, artist signature, made by Fatih Sungurtekin
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Carnival Painting

Fatih Sungurtekin

Turkey

Painting, Oil on Canvas

Size: 31.5 W x 43.3 H x 1.8 D in

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$11,000

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341 Views
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About The Artwork

While researching on masks about hiding himself, the artist encountered costumes at the Venice Carnival. The plague epidemic in Venice in 1268 and its effects are written in historical sources. Carnivals continue to exist today even though they were banned from excess during Napoleonic times. The costumes and masks that hid the patient's body also removed the class distinction of society. We also see the colorful costume of class separation in Japanese kimonos. The kimono, which was first used by samurai, was preferred by people of different statuses during Edo period and spread to the public. In this picture, the artist redesigned the outfit and mask used in the Venice carnival. He created the women body and dress with organic and inorganic elements and textures. Behind the figure, he placed a torn and old kimono with high antiques. He used dilemmas about value between the worn old kimono and the figure's flashy outfit. The transparent glass, which is inclined at the bottom right, refers to the movement of time and hourglass. While using the images he remembered clearly, he intervened by deleting the images he could not remember and dividing them into pieces. The placement of the entire composition in a wooden frame indicates the artist's connection with his memory. The artist displays his impressions and feelings about that moment through his canvas.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 43.3 H x 1.8 D in

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Fatih Sungurtekin started painting from his childhood by making mud toys and drawing pictures on the walls. His high school teacher discovered his talent and directed him towards the visual arts. His artistic life began when he entered the Painting and Drawing Department of the Faculty of Fine Arts in 1995. He has participated in many National and International exhibitions as a conceptual artist. With the concept of "Moment and Memory" at the university and later, he produced studies on "time, the destruction of urban heritage, the reduction of human dialogues, the change and erasure of social memory". His art in this process contains warnings, information and messages for the future. In these works, he applied installation, ready-made materials and mixed techniques on various materials such as walls, paper and canvas. Later, the artist diversified the concept of "Moment and Memory" by combining and expanding the concepts of time, space and memory, and focused on organizing and recording what we experience in our memory by abstracting it momentarily. In the same way, he produced snapshots that were abstracted by the superposition of momentary things. Making connections between his own memory and collective memory, the artist produced works that were manipulated on his canvas. The overlapping moments creating time and memory led him to produce more layered works. In recent years, the artist, making use of micro-macro cosmic elements, the forms and shapes of nature and living things, tries to reveal the invisible beauties of nature and the moment we live in, by producing layered works. The artist, who establishes similarities and relationships with things inside and outside of our body and thoughts, creates by blending the elements in his painting with the figure that has aesthetic expression. The work, which appears to be a single surface from a distance, turns into works that deepen in meaning with new visuals and sections as they approach. While each collage element supports the main image, it creates new meanings in itself and evokes different feelings in the viewer. The artist examines the relationship of being and absence based on the known and unknown in the context of time and perception. The paintings create awareness for the viewer in his inner and outer journey. Here's what he says about his artworks: Painting should take you on an inner, mental, universal, and perceptual journey.

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