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Gołębiarka (The girl and the pigeons) Painting

Marcin KęDzierski

Poland

Painting, Oil on Other

Size: 100 W x 75 H x 2 D cm

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The girl feeds pigeons

Year Created:

2013

Subject:
Mediums:

Painting, Oil on Other

Rarity:

One-of-a-kind Artwork

Size:

100 W x 75 H x 2 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Poland.

Customs:

Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

MARCIN KĘDZIERSKI graduated from Academy of Fine Arts in Warsaw, where he studied at Graphic Arts Faculty. He earned his Graphic Arts Diploma from MieczysÅ‚aw Wasilewski Media Art Studio. In years 1997-98, he completed Faculty of Painting led by Leon Tarasewicz. At the 36th. Poland-Nation-Wide Painting Contest "Bielska Fall - 2003", KÄ™dzierski received distinction for his painting "Awaiting - Red" [Oczekiwanie czerwone]. Number of his artworks was displayed at exhibits of "Supermarket of Art" series in 2001 and 2002 (art gallery DAP OW ZPAP - Warsaw). Some of his more significant art exhibits are: "Figureheads" [Figuranci] - Center for Modern Arts [CSW] in PoznaÅ„ 2002, "Images of City" [Obrazy miasta] - Warsaw University [UW] in Warszawa 2003, "Place of Residence" [Miejsce zamieszkania] - Baltic Gallery in Ustka 2005. City and its inhabitants are the focus of KÄ™dzierski interests. Warsaw unoriginal scenes, such as a bus stop, a street or a subway are transformed into a setting for the common characters of KÄ™dzierski images to take in existential shape. Artistic debut was marked exactly at the end of one and beginning of the new millennium, 1998-2001. Unlike his peers KÄ™dzierski does not follow the journalistic trend of the time. He paints clips of everyday urban reality. Another theme is Blokowisko, Grand Ensemble of multi apartment complex, legendary "dwelling machine", utopia of modernist architecture, which was to serve people by providing with better life standards. In all sorts of ways, many Polish modern artists have been inspired and still are by grey, dirty and nameless. However, promising and optimistic comments and demonstration on existence for the future, within the walls built by functionalists of Le Corbiusier, are rare. In his witted ways, KÄ™dzierski attempts to make you fall in love with the "concrete homeland". In his paintings, KÄ™dzierski relates to Andrzej Wróblewski and JarosÅ‚aw Modzelewski.

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