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half spectrum tondo 1 Painting

Jessica Moritz

Israel

Painting, Acrylic on Canvas

Size: 17.3 W x 17.3 H x 2.4 D in

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About The Artwork

Half spectrum, geometric escape, shaped canvas reclaimed wood, wood, MDF pigments and acrylic on canvas I built the main shaped canvas and two tondos that can be hanged together or alone. The observation of light is a daily practice in my work. From physics to personal perception and appreciation, I try to explore a different point of view and translate each into a Painting. This time I have extended the experience on a bigger scale, and also built a shaped canvas to enhance the color properties. The light and space's relation to a 2D object such as painting on a rectangular surface is interesting but often brings me back to a screen relation ( computer, phone, iPad) which has its limitation. By building the canvas, creating an odd shape, a reunion of circles, closer to the physical perception, the actual vision we have. As established by Newton, the visible light spectrum is the segment of the electromagnetic spectrum that the human eye can view. More simply, this range of wavelengths is called visible light. Typically, the human eye can detect wavelengths from 380 to 700 nanometers. I chose to exclude half of the range, meaning mainly the red. Red has such a strong impact on the human vision that even a small amount can cancel the perception of other colors and therefore the space too. the shape comes from the idea of multiplication of this half part of the spectrum as a twisted shape, originally coming from the conic vision that we all have. * the tondo (circle painting ) is the only painting listed in this page, you can see the others on my listing)

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:17.3 W x 17.3 H x 2.4 D in

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French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008.  She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds  utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material.  She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.

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