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Painting, Oil on Wood
Size: 24 W x 32 H x 2 D in
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This painting is oil over encaustic; fused into the wax for permanency. It is on cradled board and needs no framing. Jane Goodall's research at Gombe Stream is best known to the scientific community for challenging two long-standing beliefs of the day: that only humans could construct and use tools, and that chimpanzees were vegetarians. While observing one chimpanzee feeding at a termite mound, she watched him repeatedly place stalks of grass into termite holes, then remove them from the hole covered with clinging termites, effectively “fishing” for termites. The chimps would also take twigs from trees and strip off the leaves to make the twig more effective, a form of object modification which is the rudimentary beginnings of toolmaking. Humans had long distinguished ourselves from the rest of the animal kingdom as "Man the Toolmaker". In response to Goodall's revolutionary findings, Louis Leakey wrote, "We must now redefine man, redefine tool, or accept chimpanzees as human!".
2015
Oil on Wood
One-of-a-kind Artwork
24 W x 32 H x 2 D in
Not Framed
Not applicable
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Mexico.
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I strive to make art that touches people's hearts, either abstract or figurative and has spiritual meaning for me. Through my art, I hope to connect with others with beauty of harmony, color, form and energy. Dreams and mediation often give me a starting point on an image. Then comes the applications of many layers of molten beeswax, resin and pigments; each layer is heat fused into the existing surface, AT time I draw or paint on the layers and then scrape and rebuild the facade. This action is much like analyzing a dream. Layer after layer is applied, scraped, incised, fused and marked to allow the truth of the piece to speak. The revealed under layers whisper their subtle messages. I never have total control of life or encasutic painting. Like jazz, there is improvisation that can take a work to a deeper, more subconscious state that can be meditative. I allow my subconscious to take over so that the work may transform beyond the mundane and predictable. I open my senses to the experience and emotionally consent to a poetic and thrilling adventure. The fluidity of the encaustic medium is challenging, exhilarating, inspiring and exciting, making a paintings that can be looked into as well as looked at. The layered luminosity is appealingly tactile, encouraging viewers to stroke and caress the surface, discovering the sensual experience of encasutic. I have studied color and written a book on the power of color to heal, shift moods, uplift or relax us. Color and balance is paramount in my work. SOLO ART EXHIBITIONS Galeria Atelier, San Miguel de Allende, November 2009. Galaria 6 Pozos, Mexico, November 2009 Mero Arte Contemporano , San Miguel de Allende, MX, January 2009 Sol y Luna Gallery, Puerto Vallarta, MX. January 2009 Mero Arte Contemporano, San Miguel de Allende, MX. June 2006, June 2007, March 2008, Galeria LeNoir, November,San Miguel de Allende, 2005 Casa de las Artesanias de Michoacan, San Miguel de Allende,June, 2005 Carson Winding Gallery , Ashland OR. July 2004 Scarlet Palette Gallery, Jacksonville, OR. June, 2003 Artisimo Gallery, Scottsdale, AZ. December 2001, 1998, 97, 96, 95, 94, 93,92, 91 Gallery Living Colors, Ashland, OR. March 2001, May 2002 Blue Sky Gallery, Bend, OR., April 2000 Rogue Gallery, Medford OR, Nov. 1999 Grants Pass Art Museum, Grants Pass, OR. March 1999 Gallery Electra, Talent, OR. 1997, 1998, 1999 Phoenix Theater, Phoenix, AZ.
Artist featured by Saatchi Art in a collection
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