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Belgium
Painting, Oil on Canvas
Size: 57.1 W x 57.1 H x 2 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
Le concept: Un couple d'infirmiers confrontés à la première vague se tient par les mains avec amour et avec espoir face à la vague de décès. A l'arrière plan, la jungle d'où est sorti le virus, provoquant la zoonose. Jungle dévastée qui est la conséquence immédiate de notre consommation de masse. On peut observer également que seuls les visages sont en couleurs chaudes, pour marquer l'humanité de ces deux êtres. L'équipement de protection - en plastique - démontre bien le fait que nous ne sommes plus en symbiose avec notre environnement, notre mère la terre.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:57.1 W x 57.1 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Belgium.
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Belgium
Stephane Dillies is a figurative French painter born in April 1975 in France. Graduate of Fine Arts, he lives and works in Brussels and exhibited in France (Paris, Le Touquet, St Tropez) as in Belgium (Brussels, Mouscron). His paintings, of varying sizes, are executed from photographs (or photographics combinations) of trash bins found in differents streets of the world. His paintings are landscapes of modern streets, they are snapshots of our life and reveals the futility of our society... Stephane Dillies proposes an approach similar to hyperrealistic painters, except that he offers new issues of painting to spectators, rarely addressed elsewhere. His paintings of garbage reflects the world of insatiable consumption of our society. The themes that are particularly favored are waste, whether real (plastic bottles, soda cans, cardboard, paper) or symbolic (celebrities in alcohol & drugs, low-resolution images from the internet ... ). His paintings are modern vanities and they remind us of the famous Latin phrase "memento mori", "remember that you shall die" and that we'll all end up like soda cans, to scrap!
Artist featured by Saatchi Art in a collection
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