"Prophets_Jeremiah" Painting
Painting, Acrylic on Canvas
243.8 W x 121.9 H cm
Ships in a Crate
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This artwork is not for sale.
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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The 'Prophets' series was completed in March, 2020. There are 4 in all and this is the 2nd. Since I work at large scale and do not preconceive the work, the title or identity comes after I've reached a resolution. I knew only that this painting would depict or honor a prophet of the old testament. H...
Year Created:
2020
Subject:
Styles:
Mediums:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
243.8 W x 121.9 H x 7.6 D cm
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
14-day return policy. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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Need more information?
Sandy Sokoloff
United States
In ancient Judaic mysticism, the Sephirot (or Quabbalistic Spheres) are the ten attributes or emanations surrounding the Infinite and by means of which it relates to the finite. The 'Eye of God' (Oculus from Latin 'eye'; pl: oculi) is a circular opening in the center of a dome or in a wall. Originating in antiquity, it is a feature of Byzantine and neoclassical architecture. I begin each work by constructing a linear geometry and only when satisfied with the composition will I introduce color. I consider geometry to be sacred but recognize that it is a form of mathematics and must be consciously constructed. Once resolved, it becomes a facade for the light which defines the act of painting. Color is Light and is divinely inspired - after 60 years of painting my vocabulary of sensory experiences is extensive enough so that every application of new color demands a response which seems predetermined. Working in a forgiving medium (acrylic paint) allows me to constantly change color, layer over layer until I achieve an inevitable balance and the light in the work is as it must be.
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