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Well
You know you make me wanna (Shout!)
Kick my heels up and (Shout!)
Throw my hands up and (Shout!)
Throw my head back and (Shout!)
Come on now (Shout!)
Don't forget to say you will
Don't forget to say, yeah
Yeah, yeah, yeah, yeah
(Say you will)
Say it right now baby
(Say you will)
Come on, come on
(Say you will)
Say it, will-a you
(Say you will)
Come on now!
say that you love me
(Say) say that you need me
(Say) say that you want me
(Say) you wanna please me
(Say) come on now
(Say) come on now
(Say) come on now
I still remember
(Shooby-doo-wop-do-wop-wop-wop-wop)
When you used to be nine years old
(Shooby-doo-wop-do-wop-wop-wop-wop)
Yeah yeah!
I was a fool for you, from the bottom of my soul, yeah!
(Shooby-doo-wop-do-wop-wop-wop-wop)
Now that you've grown, up
(Shooby-doo-wop-do-wop-wop-wop-wop)
Enough to know, yeah yeah
(Shooby-doo-wop-do-wop-wop-wop-wop)
You wanna leave me, you wanna, let me go
(Shooby-doo-wop-do-wop)
I want you to know
I said I want you to know right now, yeah!
You been good to me baby
Better than I been to myself, hey! hey!
And if you ever leave me
I don't want nobody else, hey! hey!
I said I want you to know-ho-ho-hey!
I said I want you to know right now, hey! hey!
You know you make me wanna
(Shout-woo) hey-yeah
(Shout-woo) yeah-yeah-yeah
(Shout-woo) all-right
(Shout-woo) all-right
(Shout-woo) come on now!
(Shout) come on now!
(Shout) yeah, yeah, yeah
(Shout) yeah, yeah, yeah (good sound)
(Shout) yeah, yeah, yeah (good sound)
(Shout) yeah, yeah, yeah (good sound)
(Shout) all-alright (good sound)
(Shout) it's all-alright (good sound)
(Shout) all-alright (good sound)
(Shout) all-alright (aah)
Now wait a minute!
I feel alright!
(Yeah yeah, yeah yeah!)
Now that I got my woman
I feel alright!
Every time I think about you
You been so good to me
You know you make me wanna
(Shout-woo) lift my heels up and
(Shout-woo) throw my head back and
(Shout-woo) kick my heels up and
(Shout-woo) come on now
(Shout-woo) take it easy
(Shout-woo) take it easy
(Shout-woo) take it easy (higher)
(Shout) a little bit softer now (woo)
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
Hey!
Hey!
Hey!
Hey!
Hey!
Hey!
Hey!
Hey!
Shout now!
Jump up and shout now (woo)
Jump up and shout now (woo)
Jump up and shout now (woo)
Jump up and shout now (woo)
Jump up and shout now (woo)
Everybody shout now
Everybody shout now
Everybody, shout, shout
Shout, shout, shout

‘Shout, Pts. 1 & 2’ by The Isley Brothers
Songwriters: O'kelly Isley / Ronald Isley / Rudolph Isley


"Shout" is a popular song, written and originally recorded by American vocal group the Isley Brothers in 1959. Later versions include a UK top ten hit in 1964 by Scottish singer Lulu.
In performances around 1958, the Isley Brothers would typically end their shows with a cover version of Jackie Wilson's hit "Lonely Teardrops". At one performance at the Uptown Theater in Philadelphia, lead singer Ronald Isley could see the audience standing and yelling their approval, so he extended the song by improvising a call-and-response around the words "You know you make me wanna..." "Shout!". The group developed the song further in later performances and rehearsals, using a drawn out "We-eee-ll" copied from Ray Charles' "I Got a Woman". On returning to New York City at the end of their engagement, they suggested to record producers Hugo & Luigi that they record the "Shout!" climax of the performance as a separate song. The producers agreed and suggested that the band invite friends to the recording studio to generate a party atmosphere.
The recording took place on July 29, 1959, with Hugo and Luigi choosing the studio musicians and the Isley Brothers inviting organist Herman Stephens. Released in August 1959, with the song split over both sides of the record, the single reached number 47 on the Billboard Hot 100, becoming the group's first chart hit, and later the brothers' first gold single on the basis of its longevity. Ronald Isley later said that church groups wrote to radio stations asking them to stop playing the record, because of its use of a traditional black gospel sound.


The Isley Brothers (/ˈaɪzliː/) are an American musical group originally from Cincinnati, Ohio, that started as a vocal trio consisting of brothers O'Kelly Isley Jr., Rudolph Isley and Ronald Isley in the 1950s. With a career spanning over seven decades, the group has been cited as having enjoyed one of the "longest, most influential, and most diverse careers in the pantheon of popular music".

Together with a fourth brother, Vernon, the group performed gospel music until Vernon's death a few years after its formation. After moving to the New York City area in the late 1950s, the group had their first successes during these early years, first coming to prominence in 1959 with their fourth single, "Shout", written by the three brothers. Initially a modest charted single, the song eventually sold over a million copies. In the 1960s, the group recorded songs for a variety of labels, including the top 20 single "Twist and Shout" and the Motown single "This Old Heart of Mine (Is Weak for You)", before recording and issuing the Grammy Award-winning hit "It's Your Thing" on their own label, T-Neck Records.

Influenced by gospel and doo-wop music, the group began experimenting with different musical styles incorporating elements of rock and funk as well as pop balladry. The inclusion of younger brothers Ernie Isley (lead guitar, drums) and Marvin Isley (bass guitar), and Rudolph's brother-in-law Chris Jasper (keyboards, synthesizers), in 1973 turned the original vocal trio into a complete band and reached the height of their success. For the next full decade, they recorded a string of top-selling albums from 3 + 3 to Between the Sheets, including the number one album The Heat Is On.

The six-member band splintered in 1983, with Ernie, Marvin, and Chris Jasper forming the short-lived spinoff group Isley-Jasper-Isley. The oldest member, O'Kelly, died in 1986 and Rudolph and Ronald released a pair of albums as a duo before Rudolph retired to a life in the Christian ministry in 1989. Ronald reconvened the group two years later in 1991 with Ernie and Marvin; five years later, in 1996, Marvin Isley left the group due to complications of diabetes. The remaining duo of Ronald and Ernie achieved mainstream success with the albums Mission to Please (1996), Eternal (2001) and Body Kiss(2003). Eternal spawned the top twenty hit "Contagious". As of 2019, the Isley Brothers continue to perform under the lineup of Ronald and Ernie.

The Isley Brothers have sold over 18 million units in the United States alone. They have had several hit songs including four Top 10 singles on the United States Billboard chart. With their first major hit charting in 1959 ("Shout"), and their last one in 2001 ("Contagious"), they are among the few groups ever to have hit the Billboard Hot 100 with new music in five different decades. Sixteen of their albums charted in the Top 40 and thirteen of those albums have been certified gold, platinum or multi-platinum by the RIAA. The brothers have been honored by several musical institutions, including the Rock and Roll Hall of Fame, which inducted them in 1992. Five years later, they were added to Hollywood's Rockwalk, and in 2003 they were inducted to the Vocal Group Hall of Fame. They received the Grammy Lifetime Achievement Award in 2014.

Source: Wikipedia
Well
You know you make me wanna (Shout!)
Kick my heels up and (Shout!)
Throw my hands up and (Shout!)
Throw my head back and (Shout!)
Come on now (Shout!)
Don't forget to say you will
Don't forget to say, yeah
Yeah, yeah, yeah, yeah
(Say you will)
Say it right now baby
(Say you will)
Come on, come on
(Say you will)
Say it, will-a you
(Say you will)
Come on now!
say that you love me
(Say) say that you need me
(Say) say that you want me
(Say) you wanna please me
(Say) come on now
(Say) come on now
(Say) come on now
I still remember
(Shooby-doo-wop-do-wop-wop-wop-wop)
When you used to be nine years old
(Shooby-doo-wop-do-wop-wop-wop-wop)
Yeah yeah!
I was a fool for you, from the bottom of my soul, yeah!
(Shooby-doo-wop-do-wop-wop-wop-wop)
Now that you've grown, up
(Shooby-doo-wop-do-wop-wop-wop-wop)
Enough to know, yeah yeah
(Shooby-doo-wop-do-wop-wop-wop-wop)
You wanna leave me, you wanna, let me go
(Shooby-doo-wop-do-wop)
I want you to know
I said I want you to know right now, yeah!
You been good to me baby
Better than I been to myself, hey! hey!
And if you ever leave me
I don't want nobody else, hey! hey!
I said I want you to know-ho-ho-hey!
I said I want you to know right now, hey! hey!
You know you make me wanna
(Shout-woo) hey-yeah
(Shout-woo) yeah-yeah-yeah
(Shout-woo) all-right
(Shout-woo) all-right
(Shout-woo) come on now!
(Shout) come on now!
(Shout) yeah, yeah, yeah
(Shout) yeah, yeah, yeah (good sound)
(Shout) yeah, yeah, yeah (good sound)
(Shout) yeah, yeah, yeah (good sound)
(Shout) all-alright (good sound)
(Shout) it's all-alright (good sound)
(Shout) all-alright (good sound)
(Shout) all-alright (aah)
Now wait a minute!
I feel alright!
(Yeah yeah, yeah yeah!)
Now that I got my woman
I feel alright!
Every time I think about you
You been so good to me
You know you make me wanna
(Shout-woo) lift my heels up and
(Shout-woo) throw my head back and
(Shout-woo) kick my heels up and
(Shout-woo) come on now
(Shout-woo) take it easy
(Shout-woo) take it easy
(Shout-woo) take it easy (higher)
(Shout) a little bit softer now (woo)
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
(Shout) a little bit softer now
a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
(Shout) a little bit louder now
Hey!
Hey!
Hey!
Hey!
Hey!
Hey!
Hey!
Hey!
Shout now!
Jump up and shout now (woo)
Jump up and shout now (woo)
Jump up and shout now (woo)
Jump up and shout now (woo)
Jump up and shout now (woo)
Everybody shout now
Everybody shout now
Everybody, shout, shout
Shout, shout, shout

‘Shout, Pts. 1 & 2’ by The Isley Brothers
Songwriters: O'kelly Isley / Ronald Isley / Rudolph Isley


"Shout" is a popular song, written and originally recorded by American vocal group the Isley Brothers in 1959. Later versions include a UK top ten hit in 1964 by Scottish singer Lulu.
In performances around 1958, the Isley Brothers would typically end their shows with a cover version of Jackie Wilson's hit "Lonely Teardrops". At one performance at the Uptown Theater in Philadelphia, lead singer Ronald Isley could see the audience standing and yelling their approval, so he extended the song by improvising a call-and-response around the words "You know you make me wanna..." "Shout!". The group developed the song further in later performances and rehearsals, using a drawn out "We-eee-ll" copied from Ray Charles' "I Got a Woman". On returning to New York City at the end of their engagement, they suggested to record producers Hugo & Luigi that they record the "Shout!" climax of the performance as a separate song. The producers agreed and suggested that the band invite friends to the recording studio to generate a party atmosphere.
The recording took place on July 29, 1959, with Hugo and Luigi choosing the studio musicians and the Isley Brothers inviting organist Herman Stephens. Released in August 1959, with the song split over both sides of the record, the single reached number 47 on the Billboard Hot 100, becoming the group's first chart hit, and later the brothers' first gold single on the basis of its longevity. Ronald Isley later said that church groups wrote to radio stations asking them to stop playing the record, because of its use of a traditional black gospel sound.


The Isley Brothers (/ˈaɪzliː/) are an American musical group originally from Cincinnati, Ohio, that started as a vocal trio consisting of brothers O'Kelly Isley Jr., Rudolph Isley and Ronald Isley in the 1950s. With a career spanning over seven decades, the group has been cited as having enjoyed one of the "longest, most influential, and most diverse careers in the pantheon of popular music".

Together with a fourth brother, Vernon, the group performed gospel music until Vernon's death a few years after its formation. After moving to the New York City area in the late 1950s, the group had their first successes during these early years, first coming to prominence in 1959 with their fourth single, "Shout", written by the three brothers. Initially a modest charted single, the song eventually sold over a million copies. In the 1960s, the group recorded songs for a variety of labels, including the top 20 single "Twist and Shout" and the Motown single "This Old Heart of Mine (Is Weak for You)", before recording and issuing the Grammy Award-winning hit "It's Your Thing" on their own label, T-Neck Records.

Influenced by gospel and doo-wop music, the group began experimenting with different musical styles incorporating elements of rock and funk as well as pop balladry. The inclusion of younger brothers Ernie Isley (lead guitar, drums) and Marvin Isley (bass guitar), and Rudolph's brother-in-law Chris Jasper (keyboards, synthesizers), in 1973 turned the original vocal trio into a complete band and reached the height of their success. For the next full decade, they recorded a string of top-selling albums from 3 + 3 to Between the Sheets, including the number one album The Heat Is On.

The six-member band splintered in 1983, with Ernie, Marvin, and Chris Jasper forming the short-lived spinoff group Isley-Jasper-Isley. The oldest member, O'Kelly, died in 1986 and Rudolph and Ronald released a pair of albums as a duo before Rudolph retired to a life in the Christian ministry in 1989. Ronald reconvened the group two years later in 1991 with Ernie and Marvin; five years later, in 1996, Marvin Isley left the group due to complications of diabetes. The remaining duo of Ronald and Ernie achieved mainstream success with the albums Mission to Please (1996), Eternal (2001) and Body Kiss(2003). Eternal spawned the top twenty hit "Contagious". As of 2019, the Isley Brothers continue to perform under the lineup of Ronald and Ernie.

The Isley Brothers have sold over 18 million units in the United States alone. They have had several hit songs including four Top 10 singles on the United States Billboard chart. With their first major hit charting in 1959 ("Shout"), and their last one in 2001 ("Contagious"), they are among the few groups ever to have hit the Billboard Hot 100 with new music in five different decades. Sixteen of their albums charted in the Top 40 and thirteen of those albums have been certified gold, platinum or multi-platinum by the RIAA. The brothers have been honored by several musical institutions, including the Rock and Roll Hall of Fame, which inducted them in 1992. Five years later, they were added to Hollywood's Rockwalk, and in 2003 they were inducted to the Vocal Group Hall of Fame. They received the Grammy Lifetime Achievement Award in 2014.

Source: Wikipedia
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Shout, Pt. 1 Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 36 W x 72 H x 1.5 D in

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Well You know you make me wanna (Shout!) Kick my heels up and (Shout!) Throw my hands up and (Shout!) Throw my head back and (Shout!) Come on now (Shout!) Don't forget to say you will Don't forget to say, yeah Yeah, yeah, yeah, yeah (Say you will) Say it right now baby (Say you will) Come on, come on (Say you will) Say it, will-a you (Say you will) Come on now! say that you love me (Say) say that you need me (Say) say that you want me (Say) you wanna please me (Say) come on now (Say) come on now (Say) come on now I still remember (Shooby-doo-wop-do-wop-wop-wop-wop) When you used to be nine years old (Shooby-doo-wop-do-wop-wop-wop-wop) Yeah yeah! I was a fool for you, from the bottom of my soul, yeah! (Shooby-doo-wop-do-wop-wop-wop-wop) Now that you've grown, up (Shooby-doo-wop-do-wop-wop-wop-wop) Enough to know, yeah yeah (Shooby-doo-wop-do-wop-wop-wop-wop) You wanna leave me, you wanna, let me go (Shooby-doo-wop-do-wop) I want you to know I said I want you to know right now, yeah! You been good to me baby Better than I been to myself, hey! hey! And if you ever leave me I don't want nobody else, hey! hey! I said I want you to know-ho-ho-hey! I said I want you to know right now, hey! hey! You know you make me wanna (Shout-woo) hey-yeah (Shout-woo) yeah-yeah-yeah (Shout-woo) all-right (Shout-woo) all-right (Shout-woo) come on now! (Shout) come on now! (Shout) yeah, yeah, yeah (Shout) yeah, yeah, yeah (good sound) (Shout) yeah, yeah, yeah (good sound) (Shout) yeah, yeah, yeah (good sound) (Shout) all-alright (good sound) (Shout) it's all-alright (good sound) (Shout) all-alright (good sound) (Shout) all-alright (aah) Now wait a minute! I feel alright! (Yeah yeah, yeah yeah!) Now that I got my woman I feel alright! Every time I think about you You been so good to me You know you make me wanna (Shout-woo) lift my heels up and (Shout-woo) throw my head back and (Shout-woo) kick my heels up and (Shout-woo) come on now (Shout-woo) take it easy (Shout-woo) take it easy (Shout-woo) take it easy (higher) (Shout) a little bit softer now (woo) (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now (Shout) a little bit softer now a little bit louder now (Shout) a little bit louder now (Shout) a little bit louder now (Shout) a little bit louder now (Shout) a little bit louder now (Shout) a little bit louder now (Shout) a little bit louder now (Shout) a little bit louder now (Shout) a little bit louder now (Shout) a little bit louder now (Shout) a little bit louder now (Shout) a little bit louder now Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey! Shout now! Jump up and shout now (woo) Jump up and shout now (woo) Jump up and shout now (woo) Jump up and shout now (woo) Jump up and shout now (woo) Everybody shout now Everybody shout now Everybody, shout, shout Shout, shout, shout ‘Shout, Pts. 1 & 2’ by The Isley Brothers Songwriters: O'kelly Isley / Ronald Isley / Rudolph Isley "Shout" is a popular song, written and originally recorded by American vocal group the Isley Brothers in 1959. Later versions include a UK top ten hit in 1964 by Scottish singer Lulu. In performances around 1958, the Isley Brothers would typically end their shows with a cover version of Jackie Wilson's hit "Lonely Teardrops". At one performance at the Uptown Theater in Philadelphia, lead singer Ronald Isley could see the audience standing and yelling their approval, so he extended the song by improvising a call-and-response around the words "You know you make me wanna..." "Shout!". The group developed the song further in later performances and rehearsals, using a drawn out "We-eee-ll" copied from Ray Charles' "I Got a Woman". On returning to New York City at the end of their engagement, they suggested to record producers Hugo & Luigi that they record the "Shout!" climax of the performance as a separate song. The producers agreed and suggested that the band invite friends to the recording studio to generate a party atmosphere. The recording took place on July 29, 1959, with Hugo and Luigi choosing the studio musicians and the Isley Brothers inviting organist Herman Stephens. Released in August 1959, with the song split over both sides of the record, the single reached number 47 on the Billboard Hot 100, becoming the group's first chart hit, and later the brothers' first gold single on the basis of its longevity. Ronald Isley later said that church groups wrote to radio stations asking them to stop playing the record, because of its use of a traditional black gospel sound. The Isley Brothers (/ˈaɪzliː/) are an American musical group originally from Cincinnati, Ohio, that started as a vocal trio consisting of brothers O'Kelly Isley Jr., Rudolph Isley and Ronald Isley in the 1950s. With a career spanning over seven decades, the group has been cited as having enjoyed one of the "longest, most influential, and most diverse careers in the pantheon of popular music". Together with a fourth brother, Vernon, the group performed gospel music until Vernon's death a few years after its formation. After moving to the New York City area in the late 1950s, the group had their first successes during these early years, first coming to prominence in 1959 with their fourth single, "Shout", written by the three brothers. Initially a modest charted single, the song eventually sold over a million copies. In the 1960s, the group recorded songs for a variety of labels, including the top 20 single "Twist and Shout" and the Motown single "This Old Heart of Mine (Is Weak for You)", before recording and issuing the Grammy Award-winning hit "It's Your Thing" on their own label, T-Neck Records. Influenced by gospel and doo-wop music, the group began experimenting with different musical styles incorporating elements of rock and funk as well as pop balladry. The inclusion of younger brothers Ernie Isley (lead guitar, drums) and Marvin Isley (bass guitar), and Rudolph's brother-in-law Chris Jasper (keyboards, synthesizers), in 1973 turned the original vocal trio into a complete band and reached the height of their success. For the next full decade, they recorded a string of top-selling albums from 3 + 3 to Between the Sheets, including the number one album The Heat Is On. The six-member band splintered in 1983, with Ernie, Marvin, and Chris Jasper forming the short-lived spinoff group Isley-Jasper-Isley. The oldest member, O'Kelly, died in 1986 and Rudolph and Ronald released a pair of albums as a duo before Rudolph retired to a life in the Christian ministry in 1989. Ronald reconvened the group two years later in 1991 with Ernie and Marvin; five years later, in 1996, Marvin Isley left the group due to complications of diabetes. The remaining duo of Ronald and Ernie achieved mainstream success with the albums Mission to Please (1996), Eternal (2001) and Body Kiss(2003). Eternal spawned the top twenty hit "Contagious". As of 2019, the Isley Brothers continue to perform under the lineup of Ronald and Ernie. The Isley Brothers have sold over 18 million units in the United States alone. They have had several hit songs including four Top 10 singles on the United States Billboard chart. With their first major hit charting in 1959 ("Shout"), and their last one in 2001 ("Contagious"), they are among the few groups ever to have hit the Billboard Hot 100 with new music in five different decades. Sixteen of their albums charted in the Top 40 and thirteen of those albums have been certified gold, platinum or multi-platinum by the RIAA. The brothers have been honored by several musical institutions, including the Rock and Roll Hall of Fame, which inducted them in 1992. Five years later, they were added to Hollywood's Rockwalk, and in 2003 they were inducted to the Vocal Group Hall of Fame. They received the Grammy Lifetime Achievement Award in 2014. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 72 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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