view additional image 1
View in a Room ArtworkView in a Room Background
Painting canvas is 36'x36, paper, oil and ink on canvas, UV protective varnish, ready to hang.

I am creating a visual narrative of my recollection growing up in Brooklyn and NYC in the 70s and 80s, flanked by stainless steel, aluminum and graffiti, subway cars, telephone booths, rolling stainless steel gates pulled down adorned with graffiti.    

Mark-making in these paintings emulates the process by which all these metallic surfaces became the backdrop for the graphic history of those neighborhoods as they became adorned with the textural and visual imagery. 

In this environment the sharpie, self-adhesive sticker, pasted hand-bill and aerosol paint can can quickly communicate and homogeneously populate an entire neighborhood overnight promoting local punk rock bands and their gigs, political messaging, self-expression and the advertisement of services.

"Susan's paintings feel as if they have been created by random collaboration in the same way as a public call box becomes quickly filled up with stickers and graffiti placed there by individuals and teams of street marketers. Her surface is archaeological, stratified with graphic artifacts as some, previously placed, are torn away and others overlaid upon existing iconography. The picture plane is scratched and eroded and scrawled upon. Song lyrics and Shakespearean quotes share the same space with philosophy and street slang. There is rough poetry in the un-painterly rhythm and coarseness of this approach."

In this piece I tie together imagery with a particular mantra of love.  But these are not the trite inspirational memes sold in home decor stores, instead drawn from the the language of post-war American art and especially the Pop Art Movement to which I pay homage to a choice of imagery. Woven throughout the oil paint are images from icons of world's relgion, philosophies, pictures torn from art and fashion magazines and lyrics from my favorite songs.  

It’s about affirmation, from the cave painters of Western Europe who crawled into dark recesses to leave their ocher hand prints to the graffiti artists who tag their names on subway walls and across the city, its the same need to leave your mark that drives street art. Affirmation is also found in mantras, spells and the lyrics of popular music and I can close my eyes in the studio, listening to a favorite track and see the energy of the city in my mind’s eye and that pushes me to paint what I feel and to roughly organize the narrative of the painting to fit a particular theme.
Painting canvas is 36'x36, paper, oil and ink on canvas, UV protective varnish, ready to hang.

I am creating a visual narrative of my recollection growing up in Brooklyn and NYC in the 70s and 80s, flanked by stainless steel, aluminum and graffiti, subway cars, telephone booths, rolling stainless steel gates pulled down adorned with graffiti.    

Mark-making in these paintings emulates the process by which all these metallic surfaces became the backdrop for the graphic history of those neighborhoods as they became adorned with the textural and visual imagery. 

In this environment the sharpie, self-adhesive sticker, pasted hand-bill and aerosol paint can can quickly communicate and homogeneously populate an entire neighborhood overnight promoting local punk rock bands and their gigs, political messaging, self-expression and the advertisement of services.

"Susan's paintings feel as if they have been created by random collaboration in the same way as a public call box becomes quickly filled up with stickers and graffiti placed there by individuals and teams of street marketers. Her surface is archaeological, stratified with graphic artifacts as some, previously placed, are torn away and others overlaid upon existing iconography. The picture plane is scratched and eroded and scrawled upon. Song lyrics and Shakespearean quotes share the same space with philosophy and street slang. There is rough poetry in the un-painterly rhythm and coarseness of this approach."

In this piece I tie together imagery with a particular mantra of love.  But these are not the trite inspirational memes sold in home decor stores, instead drawn from the the language of post-war American art and especially the Pop Art Movement to which I pay homage to a choice of imagery. Woven throughout the oil paint are images from icons of world's relgion, philosophies, pictures torn from art and fashion magazines and lyrics from my favorite songs.  

It’s about affirmation, from the cave painters of Western Europe who crawled into dark recesses to leave their ocher hand prints to the graffiti artists who tag their names on subway walls and across the city, its the same need to leave your mark that drives street art. Affirmation is also found in mantras, spells and the lyrics of popular music and I can close my eyes in the studio, listening to a favorite track and see the energy of the city in my mind’s eye and that pushes me to paint what I feel and to roughly organize the narrative of the painting to fit a particular theme.
Painting canvas is 36'x36, paper, oil and ink on canvas, UV protective varnish, ready to hang.

I am creating a visual narrative of my recollection growing up in Brooklyn and NYC in the 70s and 80s, flanked by stainless steel, aluminum and graffiti, subway cars, telephone booths, rolling stainless steel gates pulled down adorned with graffiti.    

Mark-making in these paintings emulates the process by which all these metallic surfaces became the backdrop for the graphic history of those neighborhoods as they became adorned with the textural and visual imagery. 

In this environment the sharpie, self-adhesive sticker, pasted hand-bill and aerosol paint can can quickly communicate and homogeneously populate an entire neighborhood overnight promoting local punk rock bands and their gigs, political messaging, self-expression and the advertisement of services.

"Susan's paintings feel as if they have been created by random collaboration in the same way as a public call box becomes quickly filled up with stickers and graffiti placed there by individuals and teams of street marketers. Her surface is archaeological, stratified with graphic artifacts as some, previously placed, are torn away and others overlaid upon existing iconography. The picture plane is scratched and eroded and scrawled upon. Song lyrics and Shakespearean quotes share the same space with philosophy and street slang. There is rough poetry in the un-painterly rhythm and coarseness of this approach."

In this piece I tie together imagery with a particular mantra of love.  But these are not the trite inspirational memes sold in home decor stores, instead drawn from the the language of post-war American art and especially the Pop Art Movement to which I pay homage to a choice of imagery. Woven throughout the oil paint are images from icons of world's relgion, philosophies, pictures torn from art and fashion magazines and lyrics from my favorite songs.  

It’s about affirmation, from the cave painters of Western Europe who crawled into dark recesses to leave their ocher hand prints to the graffiti artists who tag their names on subway walls and across the city, its the same need to leave your mark that drives street art. Affirmation is also found in mantras, spells and the lyrics of popular music and I can close my eyes in the studio, listening to a favorite track and see the energy of the city in my mind’s eye and that pushes me to paint what I feel and to roughly organize the narrative of the painting to fit a particular theme.
Painting canvas is 36'x36, paper, oil and ink on canvas, UV protective varnish, ready to hang.

I am creating a visual narrative of my recollection growing up in Brooklyn and NYC in the 70s and 80s, flanked by stainless steel, aluminum and graffiti, subway cars, telephone booths, rolling stainless steel gates pulled down adorned with graffiti.    

Mark-making in these paintings emulates the process by which all these metallic surfaces became the backdrop for the graphic history of those neighborhoods as they became adorned with the textural and visual imagery. 

In this environment the sharpie, self-adhesive sticker, pasted hand-bill and aerosol paint can can quickly communicate and homogeneously populate an entire neighborhood overnight promoting local punk rock bands and their gigs, political messaging, self-expression and the advertisement of services.

"Susan's paintings feel as if they have been created by random collaboration in the same way as a public call box becomes quickly filled up with stickers and graffiti placed there by individuals and teams of street marketers. Her surface is archaeological, stratified with graphic artifacts as some, previously placed, are torn away and others overlaid upon existing iconography. The picture plane is scratched and eroded and scrawled upon. Song lyrics and Shakespearean quotes share the same space with philosophy and street slang. There is rough poetry in the un-painterly rhythm and coarseness of this approach."

In this piece I tie together imagery with a particular mantra of love.  But these are not the trite inspirational memes sold in home decor stores, instead drawn from the the language of post-war American art and especially the Pop Art Movement to which I pay homage to a choice of imagery. Woven throughout the oil paint are images from icons of world's relgion, philosophies, pictures torn from art and fashion magazines and lyrics from my favorite songs.  

It’s about affirmation, from the cave painters of Western Europe who crawled into dark recesses to leave their ocher hand prints to the graffiti artists who tag their names on subway walls and across the city, its the same need to leave your mark that drives street art. Affirmation is also found in mantras, spells and the lyrics of popular music and I can close my eyes in the studio, listening to a favorite track and see the energy of the city in my mind’s eye and that pushes me to paint what I feel and to roughly organize the narrative of the painting to fit a particular theme.
Painting canvas is 36'x36, paper, oil and ink on canvas, UV protective varnish, ready to hang.

I am creating a visual narrative of my recollection growing up in Brooklyn and NYC in the 70s and 80s, flanked by stainless steel, aluminum and graffiti, subway cars, telephone booths, rolling stainless steel gates pulled down adorned with graffiti.    

Mark-making in these paintings emulates the process by which all these metallic surfaces became the backdrop for the graphic history of those neighborhoods as they became adorned with the textural and visual imagery. 

In this environment the sharpie, self-adhesive sticker, pasted hand-bill and aerosol paint can can quickly communicate and homogeneously populate an entire neighborhood overnight promoting local punk rock bands and their gigs, political messaging, self-expression and the advertisement of services.

"Susan's paintings feel as if they have been created by random collaboration in the same way as a public call box becomes quickly filled up with stickers and graffiti placed there by individuals and teams of street marketers. Her surface is archaeological, stratified with graphic artifacts as some, previously placed, are torn away and others overlaid upon existing iconography. The picture plane is scratched and eroded and scrawled upon. Song lyrics and Shakespearean quotes share the same space with philosophy and street slang. There is rough poetry in the un-painterly rhythm and coarseness of this approach."

In this piece I tie together imagery with a particular mantra of love.  But these are not the trite inspirational memes sold in home decor stores, instead drawn from the the language of post-war American art and especially the Pop Art Movement to which I pay homage to a choice of imagery. Woven throughout the oil paint are images from icons of world's relgion, philosophies, pictures torn from art and fashion magazines and lyrics from my favorite songs.  

It’s about affirmation, from the cave painters of Western Europe who crawled into dark recesses to leave their ocher hand prints to the graffiti artists who tag their names on subway walls and across the city, its the same need to leave your mark that drives street art. Affirmation is also found in mantras, spells and the lyrics of popular music and I can close my eyes in the studio, listening to a favorite track and see the energy of the city in my mind’s eye and that pushes me to paint what I feel and to roughly organize the narrative of the painting to fit a particular theme.
293 Views
40

VIEW IN MY ROOM

Subway Sonnet #2 | On Love Painting

Susan Washington

United States

Painting, oil on Canvas

Size: 36 W x 36 H x 2 D in

Ships in a Box

info-circle
SOLD
Originally listed for $1,700
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
293 Views
40

Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Featured in Inside The Studio

Featured in Inside The Studio

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Painting canvas is 36'x36, paper, oil and ink on canvas, UV protective varnish, ready to hang. I am creating a visual narrative of my recollection growing up in Brooklyn and NYC in the 70s and 80s, flanked by stainless steel, aluminum and graffiti, subway cars, telephone booths, rolling stainless steel gates pulled down adorned with graffiti. Mark-making in these paintings emulates the process by which all these metallic surfaces became the backdrop for the graphic history of those neighborhoods as they became adorned with the textural and visual imagery. In this environment the sharpie, self-adhesive sticker, pasted hand-bill and aerosol paint can can quickly communicate and homogeneously populate an entire neighborhood overnight promoting local punk rock bands and their gigs, political messaging, self-expression and the advertisement of services. "Susan's paintings feel as if they have been created by random collaboration in the same way as a public call box becomes quickly filled up with stickers and graffiti placed there by individuals and teams of street marketers. Her surface is archaeological, stratified with graphic artifacts as some, previously placed, are torn away and others overlaid upon existing iconography. The picture plane is scratched and eroded and scrawled upon. Song lyrics and Shakespearean quotes share the same space with philosophy and street slang. There is rough poetry in the un-painterly rhythm and coarseness of this approach." In this piece I tie together imagery with a particular mantra of love. But these are not the trite inspirational memes sold in home decor stores, instead drawn from the the language of post-war American art and especially the Pop Art Movement to which I pay homage to a choice of imagery. Woven throughout the oil paint are images from icons of world's relgion, philosophies, pictures torn from art and fashion magazines and lyrics from my favorite songs. It’s about affirmation, from the cave painters of Western Europe who crawled into dark recesses to leave their ocher hand prints to the graffiti artists who tag their names on subway walls and across the city, its the same need to leave your mark that drives street art. Affirmation is also found in mantras, spells and the lyrics of popular music and I can close my eyes in the studio, listening to a favorite track and see the energy of the city in my mind’s eye and that pushes me to paint what I feel and to roughly organize the narrative of the painting to fit a particular theme.

Details & Dimensions

Painting:oil on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 36 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Susan Washington is an abstract painter from Brooklyn New York. She comes from a family of painters and though has painted all her life she made her career in the fashion industry in NYC for 20 years before relocating to the Pocono Mountains to become a full-time painter. Her paintings have been shown nationally at Hamptons Market Art & Design, White Room Gallery in the Hamptons, The Affordable Art Fair NY, The Other Art Fair Los Angeles, Art Warehouse Los Angeles and internationally at Southport Art Center and Antwerpen. Works in collections include David Hoey & Katja Van Herle (LA & Antwerpen), Google NYC, Circle Wealth Management NYC, Jimmy O. Yang (Los Angeles), The Daxton, The Renaissance Palm Springs, Turnberry Ocean Club, HBO writer Joshua Conkel, The Stastny Foundation and numerous private collections worldwide. Susan’s paintings have also been included in film and motion pictures including The Book Club with Diane Keaton, LA’s Finest, The Morning Show, The Laundromat . Susan relocated to Baltimore in April of 2021 where she has a large studio on W. Pratt Street. Along with continuing to explore her Subway Sonnet’s body of work, Susan is commissioned for large-scale paintings and works closely with designers on residential and hospitality design projects. www.susanwashingtonfineart.com REPRESENTATION Winkel Galler | Baltimore MD The White Room Gallery | Hamptons, NY Muriel Guepin Gallery | NYC Artspace Warehouse | Los Angeles, CA Online with Saatchi Art and limited selection of works at Holly Hunt NYC.

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Virtual, Virtual

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support