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Uzbekistan
Painting, Acrylic on Soft (Yarn, Cotton, Fabric)
Size: 42.9 W x 24.4 H x 2 D in
Ships in a Box
Made on silk, in the technique of painting with the effect of cracks. The semantic meaning of the picture is the fullness of the year, with its rebirth, awakening, generosity of fruits and a quiet, calm winter in anticipation. The tree could not have been so fruitful without a quiet winter that gives rest and tranquility. In comparison with human life, these are the same periods, activity and fruitfulness that cause joy for oneself. But they are not possible without a period of calm and sometimes excessively long waiting, where there are no visible and tangible results. The process of winter in a person's life takes place inside - where he gains an incentive to awaken everything in his life and awaken to moving forward. The picture is framed in a wooden frame, individually created for this picture. It has an inner layer under the silk, for the density of silk, and its safety. It will contain a certificate about the author and the meaning of the picture. It will be carefully packed in soft polyethylene, in a box or thick paper.
Painting:Acrylic on Soft (Yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:42.9 W x 24.4 H x 2 D in
Frame:Brown
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Uzbekistan.
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Uzbekistan
In childhood, there was no example of an artist in the family, artistic activity was considered in the family of my consanguinity - a useless occupation and not a serious profession. But the craving for drawing was from the age of 5. I remember myself sketching everything, all my school notebooks were drawn and I carried notebooks and a pencil with me all the time. At the age of 14, I told my parents that I would be an artist, everyone tried to stop me and choose another profession. But still they could not convince me, and the desire to draw gained support from my parents. I began to study academic drawing for university admission. After studying, I tried to write on silk and this was love from the first drop of paint. During the trial period of painting on silk, there were no paints or reserve compositions, so I had to try different options and cook the paint itself and the base, thanks to this experience, now I am the best specialist in my field in Uzbekistan, a specialist who uses new methods and techniques.
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