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Painting, Oil on Canvas
Size: 36 W x 48 H x 2 D in
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The medium of this painting is acrylic and oil on canvas. It is a fusion of an abstract painting and realism. The subject matter is about the humanity of war. The inspiration of this painting came from the current Ukraine war with the invasion of Russia. It is an illusion of a window scene looking through the broken window. The broken glasses on the window with bullet holes reflect the bombing from Russia at Ukraine civilian homes. Imagine if you were the Ukraine civilians hiding inside their homes which were bombed by the Russian military force. Behind the realistically portrait of a window frame is the abstract painting with the illusion of a map at the bounder of Ukraine and Russia, which filled in with the colours of the two countries’ flags. The concept of the Invasion of Russia at Ukraine created by the colours of a Russia flag (white, dark blue and red) on the top right corner, and the colours of a Ukraine flag (blue and yellow) on the bottom left corner.
2022
Oil on Canvas
One-of-a-kind Artwork
36 W x 48 H x 2 D in
Not Framed
No
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Hong Kong.
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Hong Kong
Born in Hong Kong. 1996 received BA in Fine Arts from the University of Hong Kong 1997 received MA in Design from Hong Kong Polytechnic University Specialize in sculpture, oil painting, Chinese painting and Chinese calligraphy in my own surrealistic style. Started drawing portraits by self-taught as early as I can remember at the age of 4 before I could even read or write. The first subject I drew was portraits of people. I was so fascinated to draw people, perhaps it is because the subject of "people" was the first thing I saw, being brought up in Hong Kong surrounded by people everywhere. I received my initial art training in traditional Chinese painting and calligraphy, before I went to The University of Hong Kong to study Fine Arts. I have found that my traditional Chinese art studies laid an important foundation for my art development later. Even though when I started oil painting and sculpture later, I could still apply the theories of Chinese art into other western media. For example, the brave decision of Chinese ink painting strokes encourages me to spread oil paints on canvas boldly without hesitation. On the other hand, the preciseness of every stroke I learnt from Chinese calligraphy can be applied to every cut I make the decision in marble sculpture I learnt in Italy later. One may not imagine that how Chinese calligraphy is linked to stone sculpture. In fact, their theories are the very similar. For instance: every stroke you make on calligraphy has to be so forceful and precise on paper, it parallels to every cut I make on marble sculpture. If you make a mistake on your decision, a wrong stroke on paper or a wrong cut on stone, there is no U-turn. Therefore I like to apply the concept of Chinese art theory into my oil paintings and my sculptures. As a result, the creation of my works is a fusion of Chinese and Western concepts.
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