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Painting, Color on Linen
Size: 41.9 W x 119.9 H x 9.9 D cm
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In our imagination, we can be whoever we want to be strong, fearless, or anything our hearts desire. A woman’s emotions are ever-changing; sometimes, we are mischievous little demons, and other times, we are gentle, caring angels. Yet, through every shift in mood and identity, one thing remains con...
2023
Painting, Color on Linen
One-of-a-kind Artwork
41.9 W x 119.9 H x 9.9 D cm
Yes
Brown
Certificate is Included
Ships in a Crate
Shipping is included in price.
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Thailand.
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"When I want to talk about the courage and determination to be expressed in a woman's context, I think I should start with myself first. That's how I started to paint myself in order to communicate that it wasn't shameful or shouldn't be a leader just because I was a female. We have the right to our own bodies and the right to wear or act in whatever way we want to, without there should be no one to judge and devalue until finally I transcended the fear of criticism from my safe space and into the freedom of self-expression in today's nude art. I hope that I will be able to continue to build on and be a voice for women in the future." Nepjune was born in Uttaradit province, Thailand in 1996. She lives and works in Nakhon pathom, Thailand . Her technique is oil on canvas with nude art in realistic paint. In Thailand when creating a work of female nudity. The question stream that often follows is “Is it a picture of us?” “Aren't you embarrassed to write about your naked body?” Sometimes it might be a question that really wants to know my thoughts. But often it is a negative attitude. which if asked Why use a humanoid that is my own body? In this section I want to challenge the viewer's gaze. and show courage in expressing oneself physically not to mention that I am female and therefore more attractive or more expressive. In this sense it is not what I want. The beauty I want to share is purely human, regardless of gender status. We still have beauty in all human beings. However, today's society's perception of the form of the work rather challenges the Old-perspective, culture, and traditions. In this sense, I refer back to the beginning of my creation. Originally, I grew up in the traditions of the northern region in Thailand that mean the sociality is strong in terms of masculinity The status of females is therefore characterized as shy according to the style of literature or stories of beautiful northern women. This may seem exaggerated to the eyes of an outsider looking in. But in what I have encountered throughout my life and studies, I am quite familiar with the customs I encountered. My early expressions also conveyed traditional depictions of women. That is, women are also compared to objects that show their worth. This is different from the current gender in my work. Have your own identity, have your own courage. This was very challenging in the area of society in which I grew up.
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