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Left part of the diptych (80/60cm for a total of 80/160 with the right part of 80/100 cm)
projet de triptyque (80/220cm) sur papier ; finalement un diptyque de 80/160 cm(partie gauche = image précédente)
in process at sunset
en cours no 2 (j'aurais peut-être dû m'arrêter là...!)
en cours no 3

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Zuihitsu #1 (right part of a diptych) Painting

Christophe Mercier

Switzerland

Painting, Acrylic on Canvas

Size: 160 W x 80 H x 2.5 D cm

Ships in a Tube

SOLD
Originally listed for $1,460

741 Views

15

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I recommend collectors to buy the full diptych and not only the right part which is shown here as the main image (80/100 cm) : indead, the work looks better in full (80/160). For the 2 parts of the diptych, the price is $1300. This painting tries to be abstract as well as figurative. I began it in ...

Year Created:

2015

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

160 W x 80 H x 2.5 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Switzerland.

Need more information?

Need more information?

- Photo: Naples, Italy, March 2019 - Born April 1947, married, 2 children, 5 grand children. - Graduated in economics, then swiss banker in private banking from 1974 to 2007. - Started drawing in travel sketchbooks (self taught) at the age of 48 in 1995, and painting much later in 2007 at the age of 60. - Former "urban sketcher", from 2020, writer of historical novels. My desire to paint comes from the interest for expressing something aesthetic or gaudy, for finding an unstable equilibrium, for experimenting with different approaches, for renewal, testing, trying. Even though I’ve done mini-series, I don’t like to stick to one repetitive process. To me, painting is a dialogue between control and letting go and abstraction is of particular interest because it allows us to to express things that would otherwise escape our senses. It’s still a large field, even though everything is supposed to have already been made.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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